Am I missing any albums? Do you agree?
Sadistik Forest – Mordbid Majesties
Am I missing any albums? Do you agree?
When I saw Inhuman Remnants got the vocalist from Somnium Nox (fantastic atmospheric black metal) on bass I got interested straight away. Besides that horror themed death metal is always something I can get behind and when it’s well executed it makes me get goosebumps. While Inhuman Remains EP is a short one that offers basically a nine and a half minute long track (I count it like that since it’s an intro, a song then and outro on the three tracks) it’s atmospheric and does give some chills down my spine at times. I can imagine a full-length album on this sort of music will do really well and once the EP (I am tempted to call it a single to be honest) is over I do want more of the same formula. One does wonder how many times the quote “Now I am become Death, the destroyer of worlds” can be used in metal though. Oh well it fits and isn’t just put in there for the sake of it so why not right?
The slow starts and mid-paced heavy music gives me some Black Tongue or Falsifier vibes and Inhuman Remnants usually keeps on the mid-paced range but have some spikes here and there where they go off to eventually get into a wicked breakdown almost newer Ingested slam style. It fits the theme they got going on and along with the sick vocals that’s around the deathcore area Solipsis became a short but sweet experience. Bring me a full-length album!
Label: Eschatonic Records
For fans of: Ingested and Falsifier
Release date: June 1st, 2018
Favorite song: II. Solipsis
Lets talk some about what I think of Ingested. The UK band almost single-handedly acted as a sort of gateway to slam, together with Disentomb. When The Architect of Extinction came out in 2014 it blew my mind and I was sold on the whole slam scene, even though some say *cough* the slam police *cough* it’s more deathcore than slam (or slamming deathcore) I don’t care I liked it and it opened up a new genre for me. Granted I am not a diehard fan and my knowledge of the scene bar said bands and some others like Devourment, Pathology, Abominable Putridity and Katalepsy is very limited. With that in mind I was surprised with The Level Above Human and the direction Ingested went with it.
“Sovereign” starts off hard, really hard, and I am here thinking “damn this is going to be one of my favorite albums of the year”. The album has some good highs but also lows for me though. The production quality is almost too clear and while some tracks like “Sovereign”, “Invidious”, “Better off Dead” are of top notch Ingested quality and are in some ways a development from the bands past release. Mainly since they flirt with heavy hitters from brutal death metal like Dying Fetus and others creating a, perhaps, less slam sound but more of a death metal fused together with slam. Then you have “Last Rites”, a song that switches tempo well and is by far their most technical and well written track to date. Songs like that can make me see this as an evolution of their sound and slam in general, The Level Above Human will surely bring in more fans to the fray due to this. While “the slam police” will surely say this isn’t true slam but slamming deathcore/brutal death metal or whatever I can understand why Ingested takes this road, just like Thy Art is Murder with their latest release took more inspiration from death metal to change it up some. It’s bound to happen to some of the bigger bands in such underground or even hated scenes from the general metal community.
Change or no change you have your mid-tempo slams, Jason Evans on form (as always), angry hard hitting metal with that Ingested stamp on it. It’s a rather big change from The Architect of Extinction, less deathcore, more brutal death metal added to the mix, less monotone and it’s definitely got more technical aspects to it than any of their older releases. I should be all over this because of those elements but I can’t help but to say I personally liked The Architect of Extinction a lot more than I did with The Level Above Human, maybe even because of the more straight forward and monotone approach even. I can not deny however that this is probably the right step for the band to take in order to leap forward. Ingested are not afraid to change it up and I respect them for that and while some were scared that they would lose their slam when joining Unique Leader Records this was definitely not case. They simply evolved and while I may not be completely down with this change as of yet (give me time guys) I am sure many will.
Label: Unique Leader Records
For fans of: Acrania and Cerebral Bore
Release date: April 27th, 2018
Favorite song: Sovereign
Another year another best of the year list! This one is long overdue as I planed to post this several weeks ago but something always came in the way. Some of you might know I also write for Swedish site Rocknytt and I’ve of course submitted a best of to them as well. Difference from that list versus this one is that, just as last year, my list here will be based on albums I’ve reviewed in this blog. So the two lists will differ but I rather keep my blog to the more underground music (even though I do review some mainstream stuff as well). Some big changes to this year is that the list is now a top 40. I’ve added some more categories as well with best debut, concert and more. List is in no order (except for the categories I’ve chosen) and without further ado here it is, The Metal Gamer albums of the year!
Album of the Year: Archspire – Relentless Mutation
The complete Top 40:
Archspire – Relentless Mutation
Trivium – The Sin and the Sentence
Havukruunu – Kelle Surut Soi
Decrepit Birth – Axis Mundi
Ereb Altor – Ulfven
Evocation – The Shadow Archetype
Dying Fetus – Wrong One to Fuck With
Mordbrand – Wilt
Hour of Penance – Cast the First Stone
King of Asgard – :taudr:
Firespawn – The Reprobate
Svart Crown – Abreaction
Mordbid Angel – Kingdoms Disdained
Shadow of Intent – Reclaimer
Desultory – Through Aching Aeons
Coffin Creep – Corpse Defiler
Hideous Divinity – Adveniens
Inanimate Existence – Underneath a Melting Sky
Shaarimoth – Temple of the Adversarial Fire
Throne of Heresy – Decameron
Amentia – Scourge
Legacy of Emptiness – Over the Past
Dzö-nga – The Sachem’s Tales
Solbrud – Vemod
Ofermod – Sol Nox
HerezA – I Become Death
Svartsyn – In Death
Entrails – World Inferno
Oceano – Revelation
Lorna Shore – Flesh Coffin
Enterprise Earth – Embodiment
Wolfheart – Tyhjyys
Mors Principium Est – Embers of a Dying World
Persefone – Aathma
Benighted – Necrobreed
Gutslit – Amputheatre
Corpse Garden – IAO 269
Falls of Rauros – Vigilance Perennial
Rings of Saturn – Ultu Ulla
Ne Obliviscaris – Urn
Deathcore album of the year: Shadow of Intent – Reclaimer
Technical death metal album of the year: Archspire – Relentless Mutation
Death metal album of the year: Evocation – The Shadow Archetype
Atmospheric black metal album of the year: Solbrud – Vemod
Black metal album of the year: Havukruunu – Kelle Surut Soi
Debut album of the year: Coffin Creep – Corpse Defiler
Best concert I went to in 2017: Avenged Sevenfold, Disturbed and Chevelle (Royal Arena, Copenhagen, March 4th)
Five albums I missed but need to listen to:
Necrot – Blood Offerings
Phrenelith – Desolate Endscape
Fit For An Autopsy – The Great Collapse
Azarath – In Extremis
Wolves in the Throne Room – Thrice Woven
Most anticipated album of 2018: Necrophobic – Mark of the Necrogram
Coming out with their third full-length album just a few days ago we got Germany’s deathcore/death metal unit Necrotted. Worldwide Warfare has a lot, and I mean a lot, in common with Despised Icon and Thy Art is Murder. The breakdowns and brutality are on point which really does make me think of some early Despised Icon or newer Thy Art is Murder. It’s heavy and filled with class riffs. Worldwide and No War but Class War could be what Puppet Master and The Son of Misery is for Thy Art is Murder on Dear Desolation. Heavy but also really catchy.
My favorite however is Hunt Down the Crown. The drumwork on this song is so freaking fast and brutal, almost 1349 Hellfire style of intro and outro which I love! Overall the song just feels more aggressive getting me headbanging along wanting to get bat-shit crazy and mosh. I kinda wish they took this route more often on the album because the rest of the songs are too much alike Thy Art is Murder and Despised Icon for my taste. As much as I like those bands and think Necrotted does it well it won’t make me go back to this album much in the future as then I might as well pick up an album by TAIM or DI.
Worldwide Warfare is worth a listen for deathcore and death metal lovers out there. Necrotted promises fast, heavy music and they deliver just that. A bit too repetitive in the end so Worldwide Warfare loses me around The Lost Ones which also lowers the score. However I did dig the start of the album and especially Hunt Down the Crown has been on my playlist for a few weeks now.
Label: Rising Nemesis Records
For fans of: Despised Icon and Thy Art is Murder
Favorite song: Hunt Down the Crown
Hailing from Finland a five-man band named Funeralglade was formed a year ago. Since then they’ve worked to release their debut EP May the Funeral Begin whereas the time has come for me to review it. Funeralglade incorporate a lot of different genres into their music, goove metal, black metal and deathcore just being some of those but they are labelled as melodic death metal. May the Funeral Begin features six tracks and Funeralglade gives the listener an album filled with class riffs, vocals and drumming.
What makes me like the album more the more times I listen to it is the fact that all songs features new elements to them. The opener Shadow of Misery builds up the tempo nicely which gives you that crushing but melodical black metal feel. With Death (Only Way Out) being a more classic melodeath approach with some trash and black touches to it. Hollow then turns it more aggressive with symphonic elements into the mix, making this my favorite track on the album. The intermission Cadence of the Aching Breath adds more symphonic music, giving me the chills. Leading up to A Bedtime Story: Bloodlust which starts off like a powermetal song with the first riff and made me look if I was listening to the same album but that quickly turn into a fast paced death metal track with some added symphonic deathcore to it. Paincauser keep that sound alive and ends the album well. The whole packaging of the album with these six songs giving me different experiences is rather nice. If I could put their music in a box it would be with Carach Angren meeting Anaal Nathrakh and Shadow of Intent.
There are some flaws here and there but overall I had a good time with May the Funeral Begin. A good debut from Funeralglade they can build on.
Even as a fan of deathcore I’ve always had a weird relationship with Thy Art is Murder. While everyone seems to praise their early albums (especially Hate) I always had a soft spot for Holy War. With Dear Desolation and the singles that’s been out it was clear the band was moving in a new direction. More towards death metal than deathcore. Is this something that will fit Thy Art is Murder or will it be a big disappointment?
The truth is I initially did find the album rather lacking something. It took me a few playthroughs to really get to enjoy this album but once I did I found Dear Desolation being a good album. Thy Art is Murder isn’t the first, nor the last, deathcore band to change direction to evolve beyond the somewhat harsh label deathcore has. Whitechapel and Suicide Silence have both done this recently (with mixed results) but Thy Art is Murder is actually the first band I think does this well. CJ McMahon’s growls makes perfect use here for both styles so the transition works wonderful. The songwriting is still spot on, which is something I think have made Thy Art is Murder stick out from most deathcore bands from the very start. Whereas I think some songs are a bit weak tracks like Puppet Master and Slaves Beyond Death shows that this is the right direction for the band that they can keep on improving with the next release. It’s not as good as their past two releases but this change of wind is good for them in the end and I am certain the follow-up to Dear Desolation will be spectacular once they take this sound even further.
Label: Nuclear Blast Entertainment
For fans of: Whitechapel and Carnifex
Favorite song: Puppet Master