Formed the same year I was born 1988 we have Canadian band Necronomicon. The name is taken from the book by H.P. Lovecraft and their music, as expected, has a lot to do with the occult, magic, death and mythology. Even though the band was formed back in 88 their debut full-length didn’t come out until 1999 and have since released five more albums with Unus being their latest work of art. Originally Necronomicon played a rather direct death metal style in the veins of especially Morbid Angel and Nile. Later on their symphonic elements (who were somewhat there from the start too) took more place and blackend/symphonic death metal became the identity. There has been some changes in the ranks as the founder Rob “The Witch” Tremblay is the only one left from their 2016 album Advent of the Human God. Instead we have the two new members Raum (ex-Dawn of Ashes) on bass and Jean-Philippe Bouchard (Magister Dixit and Necroticgorebeast) on drums coming in for Unus.
Let me start with saying wow, Unus shows a band that knows how to use their heritage well with the new. Every fan of Necronomicon will come to devour this and just want more. The pinnacle of this album is reached almost halfway in as “Singularis Dominus”, “The Thousand Masks” and “Ascending the Throne of Baator” totally annihilates everything with perfect symphonic elements, atmosphere and blackened death metal fused into one. Truly making the name Necronomicon justice and you’ll need a breather after this supreme showing. They even end the album with classic Morbid Angel death metal approach (actually could say classic Necronomicon music too) on “Cursed MMXIX” and “Vox Draconis” just to give you some sheer hard hitting metal with an onslaught of riffs. “Vox Draconis” then ends as you expect an album like this to do, in an epic scale with orchestral and choirs! What better way to close out this absolute behemoth of an album. The beautiful part is it’s produced so well. Unus gives the listener so much value, diversity and, of course, wicked metal it’s hard not to fall in love with Unus and wanting to experience this again and again. Unus is in many ways a perfect follow-up to Advent of the Human God, where they still continue in the symphonic steps they took then but yet keeps much of what made their first albums great.
One of the best albums I’ve heard this year and the best Necronomicon has done to this date where the Necronomicon of old and new fuse together seamlessly, creating some of the best music of 2019 over 30 years into their career. Even bands such as Behemoth, Hate, Dimmu Borgir, SepticFlesh and Belphegor would be jealous of an incredible album like Unus in their discography. While it’s not groundbreaking Necronomicon are still going strong and pushing themselves forward, who knows where there limit is or if there is any?
Written by J.B.