Copenhell 2018

ladda ned

It’s been just about three weeks since I visited Copenhell and I did promise to write some lines about my festival experience. Sorry it’s taken so long but here it goes!

Warm-up day

As me and my wife wanted to get a good camping spot, get to know the site some, and of course see one or two band early we had purchased the tickets including warm-up. Lucky for us we had three friends (two which I’d never met before actually) that had saved good spots already. It was really windy, terrain not the easiest (the soil was hard) to put up a tent on but hey we did it and started drinking beer, cider to get ready for Mustasch. I was actually a bit surprised how many people had turned up to see Mustasch, not because the band is bad or unknown but because it was a warm-up day and they started rather early. A lot of people were already in high spirits and Mustasch is a great live band with a lot of energy on the stage that was a fitting act to get the crowd going. Have to add that Ralf Gyllenhammar is a really good frontman who always seem to perform great while also making the crowd be with him. Sadly I didn’t get to see any more bands this day as I in all honesty had such a good time at the Biergarten drinking beers, taking shots, and listening to some funny metal karaoke that I stayed there until I was basically too drunk to remember how I got back to the tent the day after.

Day 1

As some sort of a festival miracle I was not hungover at all when I woke up so I could instantly go up to buy some coffee and breakfast. Once I got that in me and my energy was back up I could even start chilling with some beers while listening to some of the upcoming bands for hype. The first band we went to see this day was none other than Parkway Drive, first time ever for me. Due to the wind and how dusty everything was every moshpit or circle pit turned the area into a big cloud of…..you guessed it dust. Even though it was kinda cool the sound and visual experience was a bit of a downer at times due to it however Parkway Drive did a splendid job at the stage, a superb opening act for the main stage Helvíti. Winston McCall is a killer vocalist, one of the best in metalcore, and it showed. They played both new and old material which pleased the crowd. Next up was Zeal & Ardor where we catched a couple of songs, they were all good mind you. However as my wife is a fan of Asking Alexandria (I was too years ago) we decided to only watch 15 minutes of Zeal & Ardor then go to the Hades stage to watch them. Asking Alexandria have not aged well with me, their old songs were butchered with just clean singing and the new material is…. well not good in my opinion. Even my wife wasn’t happy with it and we eventually decided to go and eat instead before Nightwish started. I’ve seen Nightwish before but this was the first time I would see them with Floor Jansen. Even as a Swede I didn’t really feel Anette Olzon unlocked her full potential and didn’t continue the Tarja legacy well at all (who can blame her though, Tarja is one of the best). With Jansen I now feel Nightwish has got their frontwoman. She sings really, really good and she just radiates confidence on stage while having the crowd in her fingers. Nightwish played songs from many different albums where of course songs like “Wish I Had An Angel”, “End of All Hope” and “Nemo” were the highlights. A pleasant surprise to see a Nightwish that now feels complete again.

To follow it up we had to rush to the smaller stage Pandemonium in order to watch the band I looked forward to the most on day one, Thy Art is Murder. I’d seen them once before, two years ago at Graspop. However back then the band didn’t feature Chris “CJ” McMahon, it just wasn’t the same. Now with McMahon holding the reins it was a whole other beast on stage. It was crushing to say the least, the energy, the crowd, the viscous pits. It had it all I hoped for. When the deathcore classics “Reign of Darkness” and “The Purest Strain of Hate” came on I was as happy as a fan of that band can be. They delivered and are now back in full force, best band I’d seen at the festival so far. By the time Thy Art is Murder had finished Arch Enemy was already under-way with their set, we saw the end of it and it was good. I’d already seen Arch Enemy a few times before so I knew what to expect. It seemed like a normal day at the office for them and as one that things their latest album is one of their weaker ones I wasn’t of course too keen on them playing a lot of new material (which was to be expected). Arch Enemy are professionals inside and out, they did a good show, as they always do but they were better the times I’ve seen them in the past, mainly since they played more songs I liked. After Arch Enemy came the band I was looking forward to the most besides Thy Art is Murder, Avenged Sevenfold where we went to the very front row. I have a story to share. My mom passed away a few years ago and since then there is a song I’ve wanted to experience live more than any other “So Far Away”. I’ve seen Avenged Sevenfold live three times before Copenhell and they’ve never played it (first time I saw them was when their self-titled album had been released though, so couldn’t have obviously). Avenged Sevenfold opened up great, showed Copenhell a good time and as always M. Shadows (who’s gained a lot of weight) showcase what it means to be a good frontman with his stage presence. Then there it was, everyone attention went towards the screens as clips of The Rev started showing. I knew what was coming up, my wife knew too as she started to cry. I finally got to hear “So Far Away” live. What an experience it was for me emotionally and hell even though I’ve in all honesty seen Avenged Sevenfold doing better live performances (with Disturbed 2017 for example) and I really missed “A Little Piece of Heaven” in their set this blew me away just because of that one song. It is indeed an experience of a lifetime for me. Next up was Bullet For My Valentine but by this time it was actually really, really cold and we were both hungry and tired so we went to get some food, listening to the band at the meantime but not paying too much attention then went to bed. Hey I am getting old you guys! Eight hours of drinking, moshing etc does that to a guy haha. From what I heard Bullet For My Valentine did great, a good mix of old and new material. Me going to camp early does mean that I missed Soulfly though, which is a shame as I’d never seem them before. Next time I guess?

Day 2

Day two (or day three, depending how you count) started early there finally being some black metal on stage. It was time to finally see the Icelandic atmospheric black metal band Auðn. Even though it was early, very hot and not much action from the crowd initially Auðn did their best and eventually got everyone headbanging and waking up. Good start to the day and they did a good job, for myself me and my wife was just sitting on the hill, catching some sun, drinking some beer while listening to good music and softly headbang. So I can’t really say I did anything to add to the atmosphere but to me it was a good way to get going. Only negative with sitting so far back and it still being windy is the sound disappears at times due to it, that’s just the way it is at festivals though. If you want to see a band for real you need to go to a concert, different experiences for sure, but for sound alone it’s the best. From black metal to thrash and Exodus. I’ve seen them before but like eight years ago but damn they don’t seem to age. Still full throttle on stage and never slowing down. Exodus showed they still got it and cemented their role as one of the thrash giants for me even at their later years. From Exodus it was time for the band I wanted to see most this day, At the Gates. Standing at the front row, headbanging, helping crowd suffers and getting into a mosh for a while was sick. It was only a bit passed 3pm but hell I was super pumped. At the Gates have never disappointed me and didn’t do so today either. They played anything from the classics like “Cold” and “Slaughter of the Sould” to their new, superb, album “To Drink From the Night Itself”. Always fun to catch one of your favorite bands live and dig to every single song they perform. Due to At the Gates ending around 4pm I missed most of Orm’s performance. I did get to hear two songs by them which sounded well and I definitely need to look into their discography some as it seems to be good Danish black metal, they had a lot of the home crowd with them for sure. After Orm we went to eat what we found being THE best food at the festival, a simple burger with fries but it was well made and we hoped we would have found it earlier. Anyways as we needed to rest some (didn’t want to go to camp early another day) we sat there eating, drinking and chatting giving Deftones a miss (never been a fan of them anyway truth be told) and waited for Japanese band Crossfaith. We honestly only went to see them because “they came all the way from Japan so we have to show them some support” but damn am I glad I did. They surprised me a lot with both the music, the energy and how they got the crowd going. When they played their cover of “Omen” they asked the whole crowd to get down and get ready to jump on his command. Just three years ago Slipknot tried to do the same, with a very average result on people doing it, but Crossfaith seemed to get EVERYONE doing it and it was insane to witness. I think Crossfaith had the most attendance on the Pandemonium stage as well from what I saw. A band I, from their live performance alone, am now a fan of.

After Crossfaith we went around the merchandise stands where I eventually bought an Suffocation, Naglfar and Enslaved shirt. By the time we came back we saw the last few songs by Alice in Chains with one of the songs being their famous “Man in the Box”. Was alright but I am not a fan of the band so was happy just to hear those few songs. At the Hades stage I was now ready for Kreator. They did a good job but I had more hopes actually, not sure why but in my mind I had thought Kreator would be one of the best experiences for me at Copenhell and they were solid just not great. Compared to for example Exodus they seemed more tired, I thought it would be the other way around. Can’t put my finger on it though, they played my favorite songs, it sounded good and the crowd was hype I just didn’t feel it. A day at the office for Kreator it seemed like. Then we had Ozzy Osbourne, well what can I say. I saw him at Sweden Rock Festival 2011 and even back then I thought it was just a big Zakk Wylde show. There isn’t much wrong with than to be honest as Zakk Wylde is the best guitarist in the world for me but it’s too much of the good at the same time if you get me. This show was the same as back then, granted now I could see Tommy Clufetos go at it some on the drums so in a sense I guess this was slightly better show but I do find it good Ozzy is calling it quits, he should have years ago in my opinion. Now I’ve seen both Black Sabbath and Ozzy Osbourne farewell tours at least, that’s quite cool! I did win a meet and greet with Zakk Wylde by the way, however sadly he wasn’t feeling to well so a tour guy came and told us ten that had won it wouldn’t happen as he needed rest in order to go on stage and finish the show. Bullshit or not I don’t know, was a bit angry about it but at the same time you win some you lose some. Zakk did do amazing solos and all that on stage and that’s all that matters. Last band I saw was Enslaved who started close to 1am. While I think they pulled of a great show I came to a weird conclusion, I am not a big Enslaved fan overall. I like some of their albums and songs, but usually their earlier work and when they played a lot from their latest release I was just standing there going “meh this is too proggy”. First time I saw them and happy I did but I would much rather have seen Enslaved ten years ago or something for the sake of them playing more songs I enjoy haha.

Day 3

The last day had just as much on my schedule as the two days before. Both me and my wife felt a bit under the weather today though which made us being less hyped of course and we said that if we don’t feel much better after Alestorm had played we would go home (meaning we would miss Ghost, Tsjuder and Sodom). That aside we went to see a Danish band called Livløs. Having heard little about them besides that some friends of mine in Faithful Darkness had been supporting a show with them weeks before Copenhell said they were good we decided to go check them out. This, again, turned out to be a pleasant surprise. Not only was the weather really good today, less windy, more sun etc but the frontman Simon Olsen was also full of energy and seemed insanely happy to play in front of his home crowd at the big stage. He even crowd surfed while singing and even though I knew zero songs they did such a good live performance that I basically started listening to them the day after I got home. An upcoming band for sure that I recommend anyone who can to see live. From a local death metal act to the least metal but yet so right act on the festival, namely Jakob Stegelmann & orkester. Oh wow was this a fun experience. You heard themes from Spider-Man, Batman, Star Wars, you name a classic movie or series theme and most of them were performed live. This was really cool and I like how Stegelmann interacted with the audience, telling stories on why he had chosen then songs and what they meant for him. Also how freaking awesome isn’t it to see moshpits and crows surfing to the imperial march!? Following Stegelmann was Steel Panther, one of my wifes favorite bands and we had just seen them a couple months ago in Copenhagen. A shame that they played almost an identical setlist, same jokes etc. For people who saw them for the first time it was probably cool and funny but for us it was a bit “meh seen and done that before”. Guess that’s why you don’t usually see a band twice on the same tour right?

What came next was the heaviest show on Copenhell, the mighty Suffocation! Hell do I like this band and the sheer brutality they showcase live. I might have been feeling a bit ill so I wasn’t at the front but my neck was sour from all the headbanging I did at the back. Man do these guys crush. From what I saw there were several moshpits going on and everyone had a good time. This was the second time I’ve seen them and they were just as good now as last time. One of the best death metal bands in the world and one of the best performances I saw at Copenhell. From Suffocation came another classic band but on a whole other scale W.A.S.P.. It’s a band I’ve grown up with hearing from my dad and I went mainly to catch a few songs as we went to eat in the meantime. They did such a good show we had to eat fast and get there though. Who would of thought these oldtimers would had it in them? I know they are a world class band but my expectation of them were small and they outdid that by a mile. A great show where they played all the good classics and showed me just why they are world class. Igorrr, that weird French band that I’ve never know if I like them or not, can’t place them. I had to go and witness them live to see if I could finally make up my mind if I hate or love them. Fact is I still can’t! My wife though is a fan now and listens to them quite often at home, I just can’t grasp their music though and after a show with them I was left there confused. Do I like or dislike them? Hell do I know, it’s weird music, cool performance that everyone should see at least once, that’s all I know.

Another old school famous band that I’ve heard from an early age were up next. The German power metal kings Helloween. Wow was this a show any fans shouldn’t miss! Getting songs from each era, with the different vocalists (!) is just awesome and I hoped some other bands could do the same sometime. I’d never seen anything like it before and from the start to finish Helloween were class, great stage presence, told stories and interacted well with the audience. Played some sweet power metal (only power metal act at Copenhell I think) and overall just did everything I had hoped for and more. By now my wife was actually feeling better, while I felt worse, so before Alestorm came on we said we would leave after their show. What a show that was to end with though! First time either of us had seen them live and they put on a killer party. Pirate metal in all it’s glory. There were countless of moshpits, circle pits and even fucking row pits all over the place. People were dancing, singing alone, drinking themselves silly and had a jolly good time! I even read afterwards that Alestorm set a record for the most crowd surfing to ever happen at a show in Copenhell at 700 or something silly like that. Insane ending to the festival for us and the best live performance I saw there, one of the best in years even. Alestorm knows how to part and I am all down with the pirate metal fans now after being somewhat reluctant at first.

Our ride home was a hell, not getting a cab for an hour we decided to take the bus. Sadly we missed out train home (was full) so had to wait an hour at the central and overall took us almost three hours to get home, knackered. It was all worth it though. We had a great festival, good food, great company with new friendships made, quite a few beers, shots and of course a lot of good music. This is actually one of the festivals I’ve been to with the best average performances. Most bands did really well and only a couple disappointed me. Copenhell as a festival overall has also improved drastically since we were there three years ago. Better toilets, bigger area, more variety in food and drinks. Next year Copenhell celebrate it’s ten year anniversary I advice everyone a go. Welcome to hell.

Five quick takeaways:

Best live performance: Avenged Sevenfold due to “So Far Away”, otherwise Alestorm on overall performance
Worst live performance: Asking Alexandria
Bands I missed: Soulfly, Ghost and Tsjuder
Biggest surprise: Crossfaith
Biggest letdown: That I didn’t get to meet Zakk Wylde

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Necrotted – Worldwide Warfare (Deathcore/Death Metal)

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Coming out with their third full-length album just a few days ago we got Germany’s deathcore/death metal unit Necrotted. Worldwide Warfare has a lot, and I mean a lot, in common with Despised Icon and Thy Art is Murder. The breakdowns and brutality are on point which really does make me think of some early Despised Icon or newer Thy Art is Murder. It’s heavy and filled with class riffs. Worldwide and No War but Class War could be what Puppet Master and The Son of Misery is for Thy Art is Murder on Dear Desolation. Heavy but also really catchy.

My favorite however is Hunt Down the Crown. The drumwork on this song is so freaking fast and brutal, almost 1349 Hellfire style of intro and outro which I love! Overall the song just feels more aggressive getting me headbanging along wanting to get bat-shit crazy and mosh. I kinda wish they took this route more often on the album because the rest of the songs are too much alike Thy Art is Murder and Despised Icon for my taste. As much as I like those bands and think Necrotted does it well it won’t make me go back to this album much in the future as then I might as well pick up an album by TAIM or DI.

Worldwide Warfare is worth a listen for deathcore and death metal lovers out there. Necrotted promises fast, heavy music and they deliver just that. A bit too repetitive in the end so Worldwide Warfare loses me around The Lost Ones which also lowers the score. However I did dig the start of the album and especially Hunt Down the Crown has been on my playlist for a few weeks now.

Facebook: http://www.facebook.com/NECROTTED
Twitter: http://www.twitter.com/NECROTTED
Label: Rising Nemesis Records
For fans of: Despised Icon and Thy Art is Murder
Favorite song: Hunt Down the Crown
Score: 2.5/5

Thy Art is Murder – Dear Desolation (Deathcore)

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Even as a fan of deathcore I’ve always had a weird relationship with Thy Art is Murder. While everyone seems to praise their early albums (especially Hate) I always had a soft spot for Holy War. With Dear Desolation and the singles that’s been out it was clear the band was moving in a new direction. More towards death metal than deathcore. Is this something that will fit Thy Art is Murder or will it be a big disappointment?

The truth is I initially did find the album rather lacking something. It took me a few playthroughs to really get to enjoy this album but once I did I found Dear Desolation being a good album. Thy Art is Murder isn’t the first, nor the last, deathcore band to change direction to evolve beyond the somewhat harsh label deathcore has. Whitechapel and Suicide Silence have both done this recently (with mixed results) but Thy Art is Murder is actually the first band I think does this well. CJ McMahon’s growls makes perfect use here for both styles so the transition works wonderful. The songwriting is still spot on, which is something I think have made Thy Art is Murder stick out from most deathcore bands from the very start. Whereas I think some songs are a bit weak tracks like Puppet Master and Slaves Beyond Death shows that this is the right direction for the band that they can keep on improving with the next release. It’s not as good as their past two releases but this change of wind is good for them in the end and I am certain the follow-up to Dear Desolation will be spectacular once they take this sound even further.

Facebook: http://www.facebook.com/thyartismurder
Twitter: http://www.twitter.com/thyartismurder
Label: Nuclear Blast Entertainment
For fans of: Whitechapel and Carnifex
Favorite song: Puppet Master
Score: 3/5

Oceano – Revelation (Deathcore)

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What’s hard hitting, got gutturals that can give you nightmares and breakdowns that makes you go wild? Oh but it’s one of the giants within deathcore, Oceano! The band is certainly one of the biggest acts going, having done headliner shows for quite some time now and got a huge fanbase. Their latest release Ascendants was a huge hit two years ago and the expectations for Revelation has been off the charts really. I’ve said it before and I will say it again though, 2017 is the biggest year in deathcore. Never before have I witnessed so many good album releases from the genre in such a short amount of time. So can Oceano still be a king among kings?

One thing is certain, Oceano still got their sweet brutal touch intact. Their songs are crazy heavy, with Adam Warren leading the charge just as well as he always has. The breakdowns are on point, the slow but brutal deathcore grooves gets you headbanging and the low death metal growls sweet music to my ears. It’s a great album that’s sure to be a hit with songs like The Great Tribulation, Human Harvest and Revelation being the icing on the cake for me. It’s hard to say if this is Oceano’s best work yet, not because Revelation doesn’t cut it but because I think Ascendants and Incisions are such a great albums (their whole discography is actually good, just their last two albums I think really hit the spot).

Oceano just keeps on giving great deathcore and Revelation is sure to keep their fans happy, it’s more of the same great formula we all love by them. If it aint broke don’t fix it. Are Oceano still kings of deathcore? Seeing they don’t seem to be able to release a bad album, I say yes and I think this is a contender for deathcore album of the year. If they win it or not is another question though!

Oceano – Revelation is out now through Sumerian Records.

Facebook: http://www.facebook.com/OceanoMetal
Twitter: http://www.twitter.com/oceanometal
For fans of: Thy Art is Murder and Carnifex
Favorite song: Human Harvest

Pure Wrath – Ascetic Eventide (Atmospheric Black Metal)

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Indonesia is not a country I think of when looking at atmospheric black metal. However Pure Wrath are sure to make both me and many others change their views on where great atmospheric black metal is produced from. Pure Wrath started as solo project in 2014 by Januaryo Hardy (aka Ryo). Energized by the essence of Earth, including nature, vision, and the call of solitude Ryo set off to create the Pure Wrath of nature itself in musical form. The end result is nothing short but greatness, a wonderful debut that will surely make a mark in the atmospheric black metal scene.

Pure Wrath brings a lot of energy and the use of various sounds and instruments (such as flute and piano) to create different emotions to the listener is wonderfully put together on Ascetic Eventide. The tracks really catches the atmosphere just like their names implies. Colourless Grassland feels desolate but yet calm and one with nature, Mountain Calls feels cold, harsh and barren (takes me back to the whole Wayfarer experience I had last year). This feeling of solitude and being one with nature that Ryo wanted to capture the essence off with Ascetic Eventide he has really achieved. It’s epic and raw, just like nature itself.

Ascetic Eventide is a work of art and stands tall in the vast atmospheric black metal discography that’s out there. I look forward to hear more from Pure Wrath in the future, until then I am more than happy to have one of this years big surprises on repeat when I want my mind to wander away and try to become one with nature. Pure Wrath’s debut album Ascetic Eventide is out now through Hitam Kelam Records.

Facebook: http://www.facebook.com/purewrath
For fans of: Saor and Wayfarer
Favorite song: Clouds Retiring

I Shall Devour – The Misanthropist (Deathcore)

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After an amazing EP Manipunation that came out in 2013 the Australian deathcore deities I Shall Devour have come with their debut full-length release The Misanthropist. I have to say I Shall Devour has come a very long way in a short amount of time and has to be one of the bands every deathcore fan should follow, if you aren’t already. The band got some of the most refreshing sound in the genre, mixing it up with some symphonic parts, sometimes almost sounding like melodic black metal meets deathcore. They are one of the more technical bands I’ve come across in deathcore, those thundering riffs will leave you in awe, while they switch tempo so smooth you can hardly notice it.

There is not a single bad track in The Misanthropist, you can listen to this album over and over again and yet you will still find something new to dig. May it be that dreamlike guitar in the distance in Of Delusion you all of a sudden fall in love with, how sick the drum-tempo is on VI and just adds to that headbanging urge. Or the grooviness coming from the bass in Awaken All, really making you waking the fuck up. Whatever it is you can be certain I Shall Devour has released, or unleashed, a beast in The Misanthropist. One that will be going hard in my stereo for years to come. If you are only getting one deathcore album this year then choose wisely and make sure you take I Shall Devour – The Misanthropist.

Facebook: http://www.facebook.com/ishalldevour
Twitter: http://www.twitter.com/ishalldevour
For fans of: Thy Art is Murder and Walking Dead on Broadway
Favorite song: Spiteful Nature

Beacons – Dark World (Deathcore)

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Dark World is the follow-up from Beacons much liked full-length debut in 2014 Dead Thoughts. The duo Taylor Bryant and Kyle Carter that is Beacons have taken their music to the next level with Dark World as this album features a wide range of different metal styles. You got your melodic metal in Moving On, brutal deathcore in The Serpent Shepherd and sweet metalcore coming from A Product of Lies. Playing with several genres over an 13 track album isn’t that strange. However within the deathcore genre I usually find bands sticking to their one style throughout several albums without changing anything. Nothing wrong with that, if it aint broke don’t fix it. I just find it extra cool an deathcore act go with many styles. Thumbs up!

I got nothing but praise to give Beacons. From what I understand this album might not even have happened due to a lot of problems. To go from that and releasing one of the best albums yet released in 2016 is somewhat astonishing. Beacons does live up to the meaning of their band name and everyone should join the Dark World (join the dark side!) and what it has to offer.

Facebook: http://www.facebook.com/BeaconsFL
For fans of: Thy Art is Murder and Oceano
Favorite song: A Product of Lies