Organectomy – Domain of the Wretched (Brutal Death Metal)

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New Zealand, a country that not only has beautiful scenery and was where my favorite movies were filmed Lord of the Rings but it’s also the home of Organectomy. The band was totally unknown to me until one day I got a single called “Beckoning the Horrors of the Depths” and since then I was hyped for their debut Domain of the Wretched. I am perfectly aware though that a good single and a good album are two completely different things so where does this leave Organectomy?

Well hell this is one sweet domain they got there. From the get-go this is kickass brutal death metal that’s everything I hoped it would be. This is the music your mother has warned you about and it reeks of filthy death metal gore. It’s heavy as hell and once the album got its claws in you it never let go. Domain of the Wretched honestly got it all going from what I want in a brutal death metal album. There are the breakdowns, got a lot of technical aspects, insane gutterals, some slam in there and heck even a couple classic filthy old school death metal riffs here and there too (like on Beckoning the Horrors of the Depths). It’s a complete package. For me this is a mix of Disentomb, Analepsy and Bloodbath getting mixed in a blender to produce this retched filth, and it’s glorious. Actually it’s not just those band getting put in a blender, so is your brain as this will leave it in a muss from all the brutality. It may not be as heavy as Pathology, it may not be as technial as Defeated Sanity or whatever but they use all the elements I enjoy and perfected the mix with just the right amount of each part.

It’s been some time now since I had so much fun with a brutal death metal album. Domain of the Wretched does just about everything right on their debut and I am glad it wasn’t just the single I heard before being good, it’s the whole album. Anything from Sanctum of Deceit, Carnal Bloodlust to the epic, closing in on eight minute long, instrumental track Cascading into Despair (how many BDM songs you heard being that long before?) with an acoustic intro are of high quality. The best brutal death metal album I’ve heard all year which uses all the tools available.

Label: Unique Leader Records
For fans of: Disentomb and Rendered Helpless
Release date: April 6th, 2018
Favorite song: Beckoning the Horrors of the Depths
Score: 4/5

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Ingested – The Level Above Human (Slamming Deathcore/Death Metal)

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Lets talk some about what I think of Ingested. The UK band almost single-handedly acted as a sort of gateway to slam, together with Disentomb. When The Architect of Extinction came out in 2014 it blew my mind and I was sold on the whole slam scene, even though some say *cough* the slam police *cough* it’s more deathcore than slam (or slamming deathcore) I don’t care I liked it and it opened up a new genre for me. Granted I am not a diehard fan and my knowledge of the scene bar said bands and some others like Devourment, Pathology, Abominable Putridity and Katalepsy is very limited. With that in mind I was surprised with The Level Above Human and the direction Ingested went with it.

“Sovereign” starts off hard, really hard, and I am here thinking “damn this is going to be one of my favorite albums of the year”. The album has some good highs but also lows for me though. The production quality is almost too clear and while some tracks like “Sovereign”, “Invidious”, “Better off Dead” are of top notch Ingested quality and are in some ways a development from the bands past release. Mainly since they flirt with heavy hitters from brutal death metal like Dying Fetus and others creating a, perhaps, less slam sound but more of a death metal fused together with slam. Then you have “Last Rites”, a song that switches tempo well and is by far their most technical and well written track to date. Songs like that can make me see this as an evolution of their sound and slam in general, The Level Above Human will surely bring in more fans to the fray due to this. While “the slam police” will surely say this isn’t true slam but slamming deathcore/brutal death metal or whatever I can understand why Ingested takes this road, just like Thy Art is Murder with their latest release took more inspiration from death metal to change it up some. It’s bound to happen to some of the bigger bands in such underground or even hated scenes from the general metal community.

Change or no change you have your mid-tempo slams, Jason Evans on form (as always), angry hard hitting metal with that Ingested stamp on it. It’s a rather big change from The Architect of Extinction, less deathcore, more brutal death metal added to the mix, less monotone and it’s definitely got more technical aspects to it than any of their older releases. I should be all over this because of those elements but I can’t help but to say I personally liked The Architect of Extinction a lot more than I did with The Level Above Human, maybe even because of the more straight forward and monotone approach even. I can not deny however that this is probably the right step for the band to take in order to leap forward. Ingested are not afraid to change it up and I respect them for that and while some were scared that they would lose their slam when joining Unique Leader Records this was definitely not case. They simply evolved and while I may not be completely down with this change as of yet (give me time guys) I am sure many will.

Label: Unique Leader Records
For fans of: Acrania and Cerebral Bore
Release date: April 27th, 2018
Favorite song: Sovereign
Score: 3/5

Best of 2017 so far

Picking a top 10 is always hard, I personally try to mix it up with various genres as well. There were some albums which on any other day could be in this top 10 but this is what I am sticking with! Also just like last year I only choose albums I’ve reviewed. Meaning there are some albums that’s actually good and been out before this is written but I haven’t had the time to review them, hence they are not in the running. So here you go The Metal Gamer top 10 albums of 2017…..so far!

Mordbrand – Wilt (Death Metal)
Review
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HerezA – I Become Death (Death Metal)
Review

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Havukruunu – Kelle Surut Soi (Pagan/Black Metal)
Review

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Svartsyn – In Death (Black Metal)
Review

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Svart Crown – Abreaction (Black/Death Metal)
Review

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Hideous Divinity – Adveniens (Technical/Brutal Death Metal)
Review

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Shadow of Intent – Reclaimer (Deathcore)
Review

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Firespawn – The Reprobate (Death Metal)
Review

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Evocation – The Shadow Archetype (Death Metal)
Review

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Hour of Penance – Cast the First Stone (Technical/Brutal Death Metal)
Review

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Hideous Divinity – Adveniens (Technical/Brutal Death Metal)

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Guess what? There is a third good album that came out April 28th! Hideous Divinity is a band I am sure many of you are familiar with. Being formed in 2007 (in Norway actually) and featuring two ex-Hour of Penance back then they took the brutal technical death metal scene by storm. Since then quite a few lineup changes have happened, one were Mauro Mercurio (ex-Hour of Penance) left forcing Enrico Schettino to rebuild. That didn’t stop him nor the band though as the debut album and sophomore received much praise from the metal community. Adveniens has been on many peoples minds when thinking what album can be a contender for best techdeath album this year.

What strikes me straight away is the punishing drums that keeps on hammering your skull. Enrico hasn’t lost his touch on the guitar either as he has yet another really strong performance. Stefano Franceschini on bass (Aborted) adds a lot of heavyness with his bass play, as expected from a man with his caliber and he already showed it on Cobra Verde, this time he is even better though. There is a lot here that you can hear have the roots from Hour of Penance, which isn’t a bad thing since it’s one of my favorite bands when it comes to techdeath. Ages Die starts off violent with some of the best work Hideous Divinity has done. Hard to top that you would think right? Be sure as hell they do though! Passages starts off slow (one of the few times you get to breath on the album) and it features several different “passages” throughout the song, showcasing a lot of different aspect to their music. The song got a bit of a Nile touch to it that way (I’ve always loved how they change tempos) and it sticks out for me.

All in all this is a great album. Hideous Divinity is definitely one of the best technical death metal bands going, having released three solid albums now. Getting slightly better with each one. Italy might just have Europe’s best techdeath scene right now with Septycal Gorge, Deceptionist (featuring two ex-Hideous Divinity members), Hour of Penance and Hideous Divinity all released top albums these past three years. And they don’t look like they are slowing down either!

Adveniens is out now through Unique Leader Records.

Facebook: http://www.facebook.com/hideousdivinity
Twitter: http://www.twitter.com/HideousDivinity
For fans of: Hour of Penance and Nile
Favorite song: Passages

So This Is Suffering – Palace of the Pessimist (Deathcore)

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As I did the Enterprise Earth review yesterday I realized I’d totally forgotten some deathcore releases I’d even looked forward to review. One of those is So This Is Suffering’s Palace of the Pessimist. Being formed back in 2006 they are one of the oldest deathcore bands going (yes I know the scene isn’t that old), having released their first EP Harlot in 2009 and eventually their full-length debut A Deathscene on Delay in 2012. Despite being formed 11 years ago Palace of the Pessimist is the bands sophomore album, having had to wait five years for this record. So the question is, is this worth the wait? Will So This Is Suffering stand their ground in this ever so growing scene?

Sleeper Hold builds up the album, starting slow and groovy but that changes less than one minute in as it unleashes chaos. To follow it up Lecherous got the most wicked technical riffs quickly turning it into my favorite song on the album. After that great start you might wonder what’s next in line. My answer is it doesn’t get any better than that, does that mean the rest of the album is bad? No it means Lecherous is simply too good of a song in my opinion. Other high points for me are Columbine and Dreameater, both tracks that’s become music videos and are probably the two tracks that’s drawn you into listening to Palace of the Pessimist. Rest of the album is solid too and if this release came out almost any other year I would place it as a contender for deathcore album of the year. The competition is simply too fierce this year though, a good or great album won’t win this year. A freaking amazing album that blows you away will. Who knows though, some albums grows on you more with time and some you like less with time. I might change my opinion giving this album more spins the coming eight months. Time will tell.

What I do know is that So This Is Suffering is a band some people might take too lightly. Even with them being veterans within the genre I sometimes think they are overlooked. Don’t be that guy. So This Is Suffering is a band among the greats of deathcore and Palace of the Pessimist will make any headbanger happy.

So This Is Is Suffering’s sophomore album Palace of the Pessimist is out now through your favorite brutal label Unique Leader Records.

Facebook: http://www.facebook.com/sothisissuffering
Twitter: http://www.twitter.com/sothisistweetin
For fans of: Boris the Blade and Fit For An Autopsy
Favorite song: Lecherous

Katalepsy – Gravenous Hour (Brutal Death Metal)

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Ah Katalepsy, one of the two Moscow giants of slam together with Abominable Putridity. Both who recently signed with Unique Leader Records, a label known for their quality brutal death metal. Saying that the stakes have been high for Katalepsy to perform after their latest brutal hit Autopsychosis.

With Gravenous Hour you can see the band move away a bit from the slam, leaning a bit more towards technical death metal. I am sure a few of the older fans will see this as a bad step and that it isn’t brutal enough anymore and I can get that. I however really like this new direction. Blindead Sultan and Critical Black Mass are freaking great and even though they are not on par with the bands monster of a song Cold Flesh Citadel (one of the best brutal songs ever made in my opinion and got me into the band) they do add something different to Katalepsy’s releases and there is no denying that it’s good brutal death metal.

So to sum it I think it’s a good album, a bit different from what I expected but still a really good listen. Katalepsy consists of some very talented musicians and I like they changed it up a bit, but didn’t do it too much. A great buy for any fan of the brutal metal school. Katalepsy – Gravenous Hour is out now by Unique Leader Records.

Facebook: http://www.facebook.com/Katalepsymoscow
For fans of: Abominable Putridity and Pathology
Favorite song: Blindead Sultan

Omophagia – In the Name of Chaos (Brutal Death Metal)

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Yet another band under the Unique Leader Records label that’s here to kick some ass! Omophagia is a Swiss Brazilian Death Metal band from Switzerland and In the Name of Chaos is their follow-up album to their debut Guilt by Nescience. If you wonder where the name of the band comes from it’s actually rather brutal, it is the consumption of raw flesh. In the Name of Chaos is mixed and mastered at Hertz Studio in Poland (Decapitated, Vader, Behemoth, Hate etc.) which shows Omophagia means business with this release.

You can expect some very speedy brutal death metal from Omophagia that doesn’t go outside the box of death metal but sometimes you don’t have to, you just need to do the basics really well. I wouldn’t mind if they added a track or two, or even added some more riffs or drumming to their current tracks to make the album a bit longer but this is really grasping at straws. Either way Omophagia – In the Name of Chaos is an album that offers good death metal and I look forward to hear more from them in the future.

Facebook: http://www.facebook.com/Omophagia
Twitter: http://www.twitter.com/OmophagiaMetal
For fans of: Obscura and Aborted
Favorite song: The Dominant