Wormhole – The Weakest Among Us (Technical Brutal Death Metal/Slam)

The year starts heavy for The Metal Gamer as the first review of the year comes from the brutal tech-death band Wormhole and their sophomore release titled The Weakest Among Us. Their debut album Genesis was a sleeper hit that came out late 2016, which I personally didn’t find out about until around a year after but it was definitely one of the better brutal tech-death albums for its time where I enjoyed the hints of slam and deathcore. Fast forward to 2020 and the Kumar brothers now got a drummer in Matt Tillett (Greylotus, ex-Cognitive (live)) and Anshuman Goswami (Perihelion, Cognitive (live)) on vocals joining them on The Weakest Among Us after Goswami having been doing vocals live for Wormhole. He got some big shoes to fill as both Calum Forrest and, the almost legendary, Duncan Bentley were doing solid work prior. Will The Weakest Among Us solidify Wormhole as a giant within the genre or will it prove to be the weakest among us, seeing the band take a step backwards with the member changes?

To start of with The Weakest Among Us got a whole different feel to it than their debut, the deathcore vibe is completely gone and it’s a lot more technical. The title-track “The Weakest Among Us” showcase that right from the start and shows a new side of the Wormhole that sounds more mature, heavier and vastly improved songwriting. With “rA9_myth” bringing way more slam bits into the giant hole I’m just about ready to be devoured by this worm as it is surely going for the kill by now. “D-S3” slows it down a notch, walking on the progressive path for a while, where you can hear some similarities to Sanjay Kumar’s other band Equipoise at times.

With more heavy slam in “The Gas System” putting the….gas back in the tank…. and the mouthful “Wave Quake Generator Plasma Artillery Cannon” we quickly go back into full gear again. The album closer “Ingswarm” is a wicked way to start your 2020 with some filthy breakdowns and the highlight of the album for me together with the opener, and title-track, “The Weakest Among Us” has been my two most played songs at the beginning of this year. Those two songs I think capture perfectly who Wormhole are in 2020.

One thing is certain The Weakest Among Us is a completely different beast than their debut Genesis and a much more varied effort. While Genesis was solid it might have lacked some bits to make it stand out and be a long lasting album in my playlists I find The Weakest Among Us bringing all the right stuff. As far as technical brutal death metal goes this is definitely one of the more experimental albums I’ve heard in the genre. Or as the promo said “prepare yourself for a new generation of Slam and Technical Death Metal!”. It might be a bit too nice and a bit too little brutality at times, while going too hard on the progressive/technical side but at the same time that’s a thing I like with the album. The Vulvodynia resemblances are basically all gone in my opinion, welcome the lovechild of Wormed, Decimated Humans and Equipoise in all its glory. A band that says “fuck it lets go nuts on our sophomore album”, try breaking some boundaries and the result is a good fucking album that makes 2020 have a flying start. Oh and did I mention they base their music on not only common sci-fi but Metroid lore (which you can see through the cover art)!? Metal gamers better dig this!

Written by J.B.

Artist: Wormhole
Label: Lacerated Enemy Records
For fans of: Wormed & Decimated Humans
Release date: January 14th, 2020
Favorite song: Ingswarm
Score: 4/5 Excellent

Desecravity – Anathema (Technical Brutal Death Metal)

Japan’s very own answer to Origin are back with their third full-length album! After a change in the line-up since their last critically acclaimed album Orphic Signs I was interested to hear what that would do to Desecravity’s sound. I mean not only is Shogo Tokita a great guitarist, he also did vocals in the band so it’s not an easy member to replace. Now the growling duty falls solely on Yujiro Suzuki (who plays guitar as well), while they’ve added Yuya Takeda (Deadly Spawn) on guitar to the band.

After a beautiful intro on the epic side in Aeon and Ashes the technical brutality is unleashed on Impure Confrontation, the single I’d heard many times before but still haven’t got tired of. The utter chaos is created with such a technical precision it’s almost silly. Bands like Defeated Sanity, Origin and Cryptopsy will be proud to know there are bands like Desecravity out there that keeps the legacy going for years to come. If you think Impure Confrontation left you breathless then wait for Ominous Harbinger and Bloodthirsty Brutes which are two of the heaviest tracks I’ve heard in a long time and an instant favorites of mine. Anathema never lets you breath either, track after track it hits you with fast, technical and skull splitting tunes for you to devour and after the ride is over you will need to sit back, relax and take in just what the hell just happened to your now blown mind. It isn’t an easy feat to create such well crafted, well balanced, brutal techdeath that Desecravity has done. While their previous efforts were good in their own rights they weren’t finding that sweet spot between chaos and order. Now they have and we as metal fans can only be joyful that Japan gives us a band that can challenge any 2019 best of the year list in January already.

This is Desecravity’s best album yet, a band that keeps exploring and striving for improvements, and I only wish they can keep this lineup intact so that we can get even more of this insanity for years to come! A must have for any fan of the technical death metal scene.

Written by J.B.

Label: Willowtip Records
For fans of: Origin and Cryptopsy
Release date: January 25th, 2019
Favorite song: Bloodthirsty Brutes
Score: 4/5 Incredible

Amentia – Scourge (Technical Brutal Death Metal)

a0863372156_10

From Belarus a techdeath band named Amentia have come to surprise us all with some of the best brutal technical death metal you will hear all year. They might not be a household name within the genre, yet, but Amentia have existed since 2003 with Scourge being the bands third full-length release, six years after their sophomore album Incurable Disease. Having never heard of the band myself I was caught off-guard by the bands tight riffs and blasting drums. To me this is close to a perfect score, everything just seems to hit the right notes at the right times.

Not a single song on the album is even close to being bad and Scourge has been on repeat several times these past days. Only thing is that the songs tends to be a bit indistinguishable which makes it hard for the songs to stand out to one another. Sometimes that can be a good thing, sometimes not and in this case I would like there to be some more variation. In a year when heavy hitters like Decrepit Birth, Suffocation, Hideous Divinity and Hour of Penance are releasing killer techdeath Amentia are making a great effort to stand tall next to those monsters. This is the perfect opportunity to get to know a great upcoming band with an album you do not want to miss.

Facebook: http://www.facebook.com/amentiabelarus
Label: Satanath Records / Amputated Vein Records
For fans of: Defeated Sanity and Decrepit Birth
Favorite song: Noble Death
Score: 4/5

Origin – Unparalleled Universe (Technical Brutal Death Metal)

originunparalleledcd

From the crazy White Ward jazz-post-black metal experience I go to something I feel right at home with. It’s time to review one of the technical brutal death metal greats, Origin. A band which has given us mortals some of the best brutal techdeath that’s ever existed since their formation in 1997. Since then the band has released one EP and Unparalleled Universe will be the seventh full-length release, something very few techdeath bands have even done actually. With heavy hitting albums like Antithesis and Omnipresent fresh in mind how does Unparalleled Universe stand next to them?

Have to be said Origin still got it, even seven albums and 20 years into their career. However I lack that Wrath of Vishnu, The Aftermath and All Things Dead feel to it. It’s a good album but next to a discography like Origins they almost slay themself. I always hate reviewing albums like this in all honesty. When a band has a really good discography should they get punished for releasing something not on the very very top? I mean if this was a debut or even a sophomore album I would say something along the lines of “omg this is one of the best bands that will tear the future apart!!!”. I don’t know, this is a freaking great album but knowing what Origin has done in the past I know I can expect more. A great album doesn’t cut it this year within brutal death metal, not with Dying Fetus, Broken Hope, Decrepit Birth and Suffocation getting releases out. Mithridatic, Dajjal, Burden of Prescience and Origins longest track as of yet Unequivocal are the highlights of this album and especially Unequivocal makes me go all headbang mode and presents Origin in top form. It’s a good album and any Origin fan should get it. As I said they still got the touch. However I know there is more brutality to be unleashed from them, some songs are just too soft for my liking to make this a real heavy hitter as an Origin album should be.

Unparalleled Universe is out now through Agonia Records in EU and Nuclear Blast in the US. With this review I am also bringing back the score scale, this time instead of a 1-10 scale it will be a 1-5 one. 5 being the highest grade and 1 the lowest.

Facebook: http://www.facebook.com/Origin
Twitter: http://www.twitter.com/OriginBand
Label: Agonia Records (EU) and Nuclear Blast (US)
For fans of: Nile and Decrepit Birth
Favorite song: Unequivocal
Score: 3.5/5