Funeralglade – May the Funeral Begin (Melodic Death Metal)

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Hailing from Finland a five-man band named Funeralglade was formed a year ago. Since then they’ve worked to release their debut EP May the Funeral Begin whereas the time has come for me to review it. Funeralglade incorporate a lot of different genres into their music, goove metal, black metal and deathcore just being some of those but they are labelled as melodic death metal. May the Funeral Begin features six tracks and Funeralglade gives the listener an album filled with class riffs, vocals and drumming.

What makes me like the album more the more times I listen to it is the fact that all songs features new elements to them. The opener Shadow of Misery builds up the tempo nicely which gives you that crushing but melodical black metal feel. With Death (Only Way Out) being a more classic melodeath approach with some trash and black touches to it. Hollow then turns it more aggressive with symphonic elements into the mix, making this my favorite track on the album. The intermission Cadence of the Aching Breath adds more symphonic music, giving me the chills. Leading up to A Bedtime Story: Bloodlust which starts off like a powermetal song with the first riff and made me look if I was listening to the same album but that quickly turn into a fast paced death metal track with some added symphonic deathcore to it. Paincauser keep that sound alive and ends the album well. The whole packaging of the album with these six songs giving me different experiences is rather nice. If I could put their music in a box it would be with Carach Angren meeting Anaal Nathrakh and Shadow of Intent.

There are some flaws here and there but overall I had a good time with May the Funeral Begin. A good debut from Funeralglade they can build on.

Facebook: http://www.facebook.com/funeralglade
Twitter: http://www.twitter.com/funeralglade
Label: Inverse Records
For fans of: Shadow of Intent and Carach Angren
Favorite song: Hollow
Score: 3/5

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After the Storm – Into a New Era (Melodic Death Metal)

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Are you a fan of old school melodic death metal the way In Flames, At the Gates and Dark Tranquillity did in the early 90’s? Then After the Storm got something right up your alley. The band have mixed and produced the music in their own studio and it shows, for better or worse. The production really does feel like it was done 20 years ago which I personally feel hurts the vocals the most. The vocals, drums and guitars doesn’t sound like they are joined together as one to me, something is missing there.

That rant aside I can’t help but to nod my head and smile to music like this. This remind me so much of the music I grew up with and already on the opening track The Awakening I fall in love with the riffs and drumming. Turn up the volume on the vocals and leave out what makes it sound like it’s being played in a church and I would be much happier. The following track Stand Unified gives me the same joy but I can already hear a pattern forming, they end their songs with a solo. Which is fine and all but after a while I might think it get repetitive. There is definitely a lot of emphasis on the guitarplay throughout the album so if you want your melodic death metal with a more technical side to it this is a great way to go.

It’s a shame the production and mixing of this album destroyed it for me. The core of the album is sweet with well performed riffs (which feels a but repetitive at times though) and songwriting but the end result I listen to isn’t good enough to cut it these days. This being the bands debut album I hope they learned something from it and make a better job at mixing it.

Facebook: http://www.facebook.com/afterthestormmetal
Label: Independent
For fans of: At the Gates and In Flames
Favorite song: Rise as They Fall
Score: 2/5

Paganizer – Land of Weeping Souls (Death Metal)

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Paganizer was created in 1998 born from the ashes of Terminal Grip, plays classic Swedish death metal and have been producing a ton of EP, split and full-length albums since it’s creation. With that amount of releases it isn’t weird that there has been some varied quality over the years but when Paganizer are on form I consider them one of the best old school death metal acts. Rogga Johansson, the creator, vocalist and also on guitar in the band has to be the most productive member in the death metal community. He has always been the bread and butter for Paganizer and on this album he has some friends joining him since the last full-length release, Kjetil Lynghaug (Echelon, Mordenial, Stass) on guitar and Martin Klasén (ex-Vicious Maggot) on bass. So where does Land of Weeping Souls stand with a new lineup?

Well not much have changed, but that’s alright since I am expecting that classic death metal sound. It’s raw sound is mixed and produced just the right amount to be filthy death but not sounding like a garage demo, as some bands seems to go for and I really dislike. Your Suffering Will Be Legendary starts off the album well with it’s pedal to the metal force but not making too much of an impact on me. It’s with the title track Land of Weeping Souls I really get into headbanging mode and find a track that sticks out. Here the guitars and drums just seems to jell better from the starting tracks and The Insanity Never Stops follows that up great with another solid track. Selfdestructor feels like it’s taken from a book on how to create classic death metal, the whole flow of the song and chorus screams old school. Again it doesn’t stick out but it’s well made by a band that definitely knows the genre by now. As an old school death metal fan this is candy I easily devour but I am sure plenty of people out there will think this isn’t something new nor interesting. If you’re not an old school death metal fan looking for more of that sweet 90’s sound then this isn’t for you.

Death Addicts Posthumous is another track I really liked, takes the vibe Selfdestructor gave me and put in some wickeds solo into it. To follow it up The Buried Undead comes, the best song on the album in my opinion. A pummeling machine of death with great tempo-changes, solos and Rogga on vocals is always a joy to listen to.

Slow start but it gets better over time. Nothing new under the death metal sun but fans of Paganizer knows this is what the band is all about, well made classic death metal. In the bands vast discography I would say Land of Weeping Souls stands somewhere in the middle, solid release with some ups and downs which will please fans of the genre. With Rogga holding the lines you can be sure to expect quality death metal with any lineup. Land of Weeping Souls is what I was expecting and support Paganizer for sticking to it.

Facebook: http://www.facebook.com/paganizersweden
Label: Transcending Obscurity Records
For fans of: Grave and Dismember
Favorite song: The Buried Undead
Score: 3/5

Zornheym – Where Hatred Dwells and Darkness Reigns (Symphonic Black/Death Metal)

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There has been a lot of hype surrounding the debut of this black metal band from Sweden. The PR team and band has done a wicked job actually to get the word out, spreading their singles at the right times and even getting a comic out for one of the songs, one page at the time to create even more hype. I for one have been very glad to follow this. Zornheym have created a world with darkness and madness unlike many others have been able to. This isn’t just a music album, this is a complete world almost like it could be something new Dark Horse comics would create. Zorn has done some good songwriter on this album, and his history from Dark Funeral has definitely helped shape Zornheym into a black metal machine with both traditional and fresh ideas coming with it. Bringing together members from known acts such as Diabolical and Facebreaker to help him create his asylum. It’s very refreshing to see. So how is the music then?

The Opposed I’d heard (and read) before and it’s a sweet intro, one of the best tracks on the album. Very symphonic almost Dimmu Borgir like and the references I draw when listening to Zornheym is definitely Dimmu along with Septicflesh and Carach Angren. Horrifying metal that can easily be made into movies. You can see this as Swedens take on that. The instrumental tracks Subjugation of the Cellist, Prologue to a Hypnosis and And the Darkness Came Swiftly works great as sections to guide the listener to the next parts of the story. This horrible wicked asylum of madness and demons that makes me think of one of my favorite comics (and games for that matter) The Darkness. This could easily be the soundtrack when Jackie goes mad within an asylum from the second game (also made in Sweden by the way).

While The Opposed and A Silent God are two great tracks and were the two tracks they chose as singles before the release of Where Hatred Dwells and Darkness Reigns. Implementing some nice clean singing with their music really adds a new dimension to the story for me and adds depth to their music. Especially Whom the Night Brings showcase Zornheym on high form whereas Trifecta of Horrors feels like a weaker track on the album where they didn’t utilize that as I had hoped. They have some ways to go before I put them in the same class as the great symphonic black metal acts but their debut is something to build on. As an debut album it’s close to a 4, hence the score, but as a whole with everything they have created around it I could easily give this a close 5.

I welcome Zornheym with open arms and let their madness take me. This is a solid debut with some ups and downs and I can’t wait to hear, and see, what they come up with next.

Facebook: http://www.facebook.com/zornheym
Twitter: http://www.twitter.com/zornheym
Label: Non Serviam Records
For fans of: Dimmu Borgir and Septicflesh
Favorite song: Whom the Night Brings
Score: 3.5/5

Inanimate Existence – Underneath a Melting Sky (Technical Death Metal)

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I never really went on board the hype train for Inanimate Existence when Calling From a Dream came out last year. I understand why people were loving their stuff as it was a bit different than most techdeath and they are great musicians but it just wasn’t for me (especially the clean vocals I couldn’t get passed). Due to that I wasn’t really expecting too much from Underneath a Melting Sky.

Oh boy was I wrong (again, see Archspire review) though! Inanimate Existence have once again made lineup changes, this time I think it really made them hit the spot for me though. Gone are the clean vocals, it’s heavier than their last album and in general just appeals to me way more than Calling From a Dream ever did. Sure they might not stick out as much as they did before and are now closer to bands like Hideous Divinity, Rivers of Nihil or Beyond Creation but to me that’s nothing wrong because that’s the type of techdeath I enjoy listening to. Forever to Burn and the title track Underneath a Melting Sky instantly makes me change my views on the band and are miles better than any song I’ve heard from them before in all honesty. The whole album melts (pun intended) together well as the songs transition flawlessly.

I am really happy to hear a band that I once didn’t enjoy listening to have now released an album I spin regularly. All within a year! 2017 has turned out to be an insane year for techdeath, I feel like I need to review and change how I grade this genre as there has been so many high quality albums the top scores just keeps pouring in compared to last year. That probably tell more about how lucky we are as fans of the genre than my grading though. Inanimate Existence offers us another album to add for our collection of technical death metal.

Facebook: http://www.facebook.com/TheInanimateExistence
Twitter: http://www.twitter.com/Inanimatetweets
Label: The Artisan Era
For fans of: Rivers of Nihil and Beyond Creation
Favorite song: Underneath a Melting Sky
Score: 4/5

Archspire – Relentless Mutation (Technical Death Metal)

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Archspire is a band which first got me into techdeath together with Revocation, Beyond Creation, Nile and the likes only a couple years ago. With that said I’ve never truly got into them, not as much as with Beyond Creation for example who I rate as the best techdeath band there is. However Relentless Mutation has changed me. This album alone have made me go from liking the band as they were one of the first bands I heard from the genre, to a band I know will call myself a fan of.

I already knew I would change my view on them as the singles they released were all top class techdeath. The opener Involuntary Doppelgänger I’ve heard countless of times by now and when it kickstarted this album I still find myself enjoying it. The album keeps on blasting me with sheer force, world class riffs and a trip around the universe unlike any other. Any song on this album would be a good pick for my favorite song section, because in all fairness they are all of insanely high techdeath quality but they are a couple songs that sticks out. It’s the albums title track Relentless Mutation that wins it for me in the end. The tempo-changes and musicianship shown on that track makes every single hormone in my body that produces happiness.

Archspire have blown me away and as someone who haven’t really seen the greatness in them before this is a big surprise. It will be really hard for me to pick the best techdeath album this year between Decrepit Birth’s Axis Mundi and Archspire’s Relentless Mutation. Both masterpieces in their own rights that should be in any metalheads collection.

Facebook: http://www.facebook.com/Archspireband
Twitter: http://www.twitter.com/Archspireband
Label: Season of Mist
For fans of: Beyond Creation and Spawn of Possession
Favorite song: Relentless Mutation
Score: 5/5

Terhenetär – Metsänhenkien Tanssi (Folk Metal)

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The Finnish band Terhenetär were created in 2007 and is sadly relatively unknown. The band released their first EP Korven kosto in 2014 and with Metsänhenkien Tanssi they are out with their second EP release, meaning the band is yet to release a full-length 10 years after their creation. In the Kalevala (poetry on Finnish folklore and mythology), Terhenetär is the goddess of the mist. With that being said I get some vibes from Kalmah, Finntroll and the likes who also get some of their inspiration from Kalevala.

Terhenetär plays folk music that takes a little bit of their countrymen Moonsorrow and Finntroll but equally as much form the Danish bands Asmegin, Svartsot and Svartby. It has to be said I love this type of folk metal. It has the perfect mix of mysticism, use of several different kinds of instruments, both happy and scary tunes and it makes me want to grab some beer and jump around. The whole EP is really great but it’s when the Metsänhenkien tanssi chapter hits the EP really grabs me by the balls. The track that ends the EP Surumieli, Varjosielu is an almost 9 minute long epos that would make even Moonsorrow proud. This is some of the best folk music I’ve heard in years, I kid you not.

Folk metal lovers should not miss out on Terhenetär. They deliver folk metal in its purest raw form and it is amazing. I really hope they will get their name out and release a full-length eventually. Imagine a Finnish folk metal takeover with Korpiklaani, Finntroll, Moonsorrow and Terhenetär. That would be freaking sweet. One can dream but until then I will have Metsänhenkien Tanssi playing regularly at home.

Facebook: http://www.facebook.com/terhenetar
Label: Independent
For fans of: Moonsorrow and Asmegin
Favorite song: Surumieli, Varjosielu
Score: 4/5