Persecutory – Towards the Ultimate Extinction (Black Metal)


From Turkey we got a full-length debut to review this time! It’s Persecutory, a band which stated out in 2014 and had an EP released last year Perversion Feeds Our Force. I’m not familiar with the band nor it’s sound but from the logo alone I could tell this was going to have black metal elements to it. Being from one of my current underground label favorites Godz ov War Productions I got high hopes on this release being something special.

Do you like Enthroned? What about Acrimonious? Then you’re in luck as Turkish band Persecutory offers an experience quite similar to their work. If you like your black metal with a lot of chaos and destruction in it then Towards the Ultimate Extinction will get your fill. This is very fast paced black metal with some trash metal thrown into the mix and it sounds evil. With that said there is little that makes me stick around for more than a playthrough or two. While some albums grow with time or are instant hits from the get-go I feelt this kinda just went by. Doesn’t by all means mean it’s a bad album it’s just not got those hooks that keeps me wanting to come back for more. No song that sticks out but also no song that I feel the need to skip.

For Enthroned fans I would say this is a really good album to get. It’s an album you can devour and get some satiscation from it but won’t leave you begging for more.

Label: Godz ov War Productions
For fans of: Acrimonious and Enthroned
Favorite song: Towards the Ultimate Extinction
Score: 2.5/5


Trivium – The Sin and the Sentence (Metalcore/Trash/Heavy Metal)


One of my favorite bands of all time is Trivium. Ascendancy was one of the first metal albums I got at the age of 16 which made me like the music even more (along with Linkin Park, Disturbed and other early 00 releases). With that said Trivium got a soft spot in my black heart. A thing that makes me really like the band, but dislike some of their albums, is the fact that they are not afraid to change their sound. One album can be very metalcore, next trash and next one almost a bit of popish heavy metal. Going from growling to clean singing, changing their sound but still putting out good albums isn’t easy but Trivium manages to do that (most of the time). With that said my three favorite albums with them are Ascendancy, Shogun and Silence in the Snow, until now.

Whereas Ascendancy will always be very close to me and I will probably always regard it as their best album due to that reason I am completely sold on The Sin and the Sentence. There is something for every era of Trivium, for every fan, new and old. The opener and titletrack of the album The Sin and the Sentence is almost a perfect example on how a Trivium song should sound like to cover their different sounds in one go. Here you got the clean singing, the catchy riffs, the change of tempo that takes you in with the old trashy and heavy sound Trivium first got known for into the mix (last minute of the song). I’ve listened to that song endless of times and it gets better with each listen. Beyond Oblivion and Other Worlds might not go to history as some of my favorites but they are solid songs. The Heart From the Hate is so damn catchy it hurts. Then comes Betrayer which is freaking sweet, it captures the rawer sound Trivium once had and together with The Sin and the Sentence and The Heart From Your Hate quickly becomes some of the best songs on the album. Bear in mind those are the three singles Trivium released previously so I’d already had quite a few listens to them and goten to know every single riff, the lyrics etc inside out which probably clouds my judgement.

From the songs I hadn’t heard prior the album release The Wretchedness Inside is a really good song with memorable riffs and feels a bit hardcore sounding. In all honesty there isn’t a single song I find bad but some are definitely more memorable than others. Beauty in the Sorrow is a prime example of that, if you want me to name the songs on this album in a year that one would easily waste away compared to lets say The Sin and the Sentence. Also has to be said I originally thought Thrown Into the Fire was a really average but with time has grown on me. Which has actually been the way The Sin and the Sentence has worked for me. The more I listen to it the more I enjoy it. This is one of the best albums Trivium has released with a lot songs that will be remembered as some of their best when we look back at their discography in the future.

Label: Roadrunner Records
For fans of: Killswitch Engage and All That Remains
Favorite song: The Sin and the Sentence
Score: 4/5

Mordenial – The Plague (Melodic Death/Trash Metal)


Formed in early 2000 the band has had quite the shaky start and it wasn’t until 2015 Mordenial released their debut album Where the Angels Fall. Since then the road has been clear though and The Plague is coming out just two years after the debut with the same line-up. The band has strong ties to one of my favorite old school death metal acts Paganizer as two out of three members are also active with them. With that said Mordenial does not play traditional old school death metal but instead they play a more melodic metal side fused with death and trash. Having more in common with In Flames and At the Gates than Paganizer.

The Plague is a riff friendly album. If you’re a fan of catchy solos and riffs you are sure to get your fill here. With lyrics dealing with the concept of a plague and how people justify terrible acts by pretending to be chosen by a God or Gods they touch on a subject that is very real even today. The opener The Plague doesn’t leave me breathless so to say but I get a few nods in here and there, whereas Daylight is Gone is starting to get me more into the album. It’s not until the fifth track No Empathy I really dig this though. With the slower melodic songs Save You All and especially All Has Vanished following up nicely. However the album never manages to grab my full attention. Sure there are some sweet riffs and solos here and there but it’s not enough for me to appreciate the 44 minutes Mordenial offers. Slow start, a better ending but in the end not what I had hoped for.

Label: Black Lion Records
For fans of: In Flames and At the Gates
Favorite song: All Has Vanished
Score: 2/5

El Camino – Cursed Congregation (Black/Trash Metal)


El Camino is an interesting act from Sweden. Their music draws a lot of influences from the great Dissection but they have their own unique touch to it with adding trash, doom elements and some H.P. Lovecraft into the mix. What comes out is nothing short but freaking awesome. I haven’t listened to El Camino before, actually I hadn’t heard about them until they were announced for this years Mörkaste Småland so all of this comes as a surprise to me. Formed in 2003 from the ashes of death metal act Vermin the band do have some Swedish veterans within their ranks and have already released a couple of full-length albums (along with EP’s and splits).

What I really enjoy with El Camino and Cursed Congregation is how it flirts with the old school sound of different genres and just feels really authentic all around. I can see this being a band that sounds just as good live as on cd. The riffs and old school atmosphere is sweet and grabs you hook line and sinker. IOMH, Cursed Congregation, Vengeance and the Häxkraft songs are really freaking great! Some songs doesn’t quite catch my attention though (Stars and Silence for example) which lowers the score a bit from this otherwise awesome first experience with the band.

Want to try something new with an old school feeling to it then El Camino’s third album Cursed Congregation is for you! Cursed Congregation is out now through Night Tripper Records.

Label: Night Tripper Records
For fans of: Dissection and Vampire
Favorite song: Cursed Congregation
Score: 3.5/5

Dead Asylum – Death Always Wins (Melodic Death/Trash Metal)


Like the Gothenburg sound? Old Arch Enemy, At the Gates and the likes? What about trash metal? Dead Asylum does a great job combining these genres, the aggression from trash with the melodies of melodic death metal in a twisted symbiosis. Almost going to the Children of Bodom type of sound. The Canadian band have taken their sound a step further since their 2013 debut General Carnage and it shows. The stongwriting is better, the band have gained some more experience behind them and grown tighter as a unit.

While I am a fan of the Gothenburg sound there is a lot of music within that genre that is really average, or even crap. Dead Asylum’s debut was close to fall into that category for me as it didn’t really peak my interest. With Death Always Wins everything has gone in the right direction though, making this a much better listen for me. More trash elements than before has done Dead Asylum good. The band still lack that song that knocks me out of my chair and after a really good opener in Defiance some of the songs on the album doesn’t really keep the heat going in my opinion. Other than Defiance I enjoyed Forgotten Sacrifice with it’s sweet guitar solos that reminds me of Children of Bodom, Welcome which has that The Sorrow feel to it and Inmate 666 with it’s sheer aggression a la Bodom. Great start and great finish, it’s the road there that was a bit bumpy.

To conclude Death Always Wins is better than General Carnage, while still needing some consistency and that heavy hitter song. When it’s good it’s awesome, when it isn’t though I am almost on the verge of pressing skip song. Metalheads will find this a release that gives you a mixed bag of treats where you are sure to find some songs to add to your favorite metal playlist.

Death Always Wins is out now as an independent release.

Label: Independent
For fans of: Arch Enemy and Children of Bodom
Favorite song: Defiance
Score: 2.5/5

Bloodgod – Catharsis (Death Metal)


Lets start with saying I am very glad Bloodgod themselves contacted me as otherwise I would probably have missed this independent release. Bloodgod is a Dutch three-man outfit that features members from Disquiet, Hymir and Neustros Derechos. Being from these bands you get members who have backgrounds in different genres. Namely black, death and trash metal. This is also where the bands strength lays, they fuse together different genres to give their own take on death metal (similar to what Post Pulse have done). Main influences I would say are death and trash metal, sometimes I think their songs sound like old Trivium albums (which is a really good thing mind you).

The flow of the songs, change of tempo and vocals (minus the clean singing) is what takes me back to, as an example, Trivium’s Ascendancy album. It just seems to have the same kind of attitude as they did back then. That said they aren’t a Trivium rip off or anything like that, I just find bits and pieces that reminds me of them from their early stages. That together with some Machine Head, DevilDriver and Lamb of God then you get a rough idea on Bloodgod’s sound. Definitely music a lot of metalheads will enjoy and that Bloodgod can continue building on. Only thing I really got to comment on in a negative sense is that the two songs Valar Morghulis and Satan’s Smile sound too similar for my taste (especially the intro).

All in all this is a sweet EP, 18 minutes of enjoyable metal that can act as a teaser of what Bloodgod are capable of when it’s time to work on their full-length debut. The foundation is there and it will be interesting to hear what they come up with next. Catharsis is out now as an independent release.

Label: Independent
For fans of: Trivium and DevilDriver
Favorite song: ‘t Schrickelik Tempeest

Hellfire – Goat Revenge (Black Metal)


There’s been a lot of black metal from me lately but I just am in that mood right now so why stop now? My black metal journey this past week has taken me from Portugal (Viles Vitae), Finland (Author), Brazil (Carpatus) and now to Ukraine with the band Hellfire. Hellfire was formed in 2014 by former members of Paranomia and quickly became a band of four but eventually went down to three members, Necrobaphomet on bass, Skullcrusher on drums and Karagh on guitars and vocal duty. Since then the band has kept working as a trio and had several live performances in Ukraine with good response. Goat Revenge is the bands debut EP.

Hellfire got a cool sound going with a varied mix of influences. The bands agenda was to create 100% pure metal based on black metal, inspired by old-school thrash and death metal. A feat they’ve done well I’ve got to say. It features the aggression and song-writing from the first wave of black metal, speed and grove from trash, then adding the melodic riffs from death to create this unholy beast. The songs are fast and furious, with the eight tracked album going full speed ahead during it’s 24 minutes. In a way I think the album is over too fast, that’s however a plus from Hellfire in a way since it means the music was good and it is an EP after all.

I had a good time with Goat Revenge. It was a bit different than the black metal I usually listens to and flirts with many old school acts. Hellfire’s debut EP Goat Revenge is out now through Witches Brew.

For fans of: Bestial Mockery and Impiety
Favorite song: Unholy Cult