Excommunion – Thronosis (Brutal Death/Black Metal)

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Been waiting to review this EP for quite some time now and lucky I was to receive it in the latest The Metalhead Box so I could listen to it on an actual cd. Excommunion is a band I am not too familiar with but I’ve heard good stuff about them. The band was formed in 1998, Colorado, and are known for playing brutal death metal with atmospheric black metal elements, which is exactly the reason they caught my eye. That and the two band members Christbutcher (bass, vocals) and Kyle Spanswick (guitars, vocals) both being active members of Nightbringer. So there has to be a lot of potential in a band like that.

Oh and was I right! The opener Twilight of Eschaton is freaking brutal! I swear to you this is an EP you do not want to miss. I understand perfectly what they mean with atmospheric black elements joined together with the sheer force of brutal death metal. It’s a sound I haven’t really heard before but hell I love it. You can hear that this is death metal from members you usually associate with the black metal scene with influences from both Nightbringer and Enthroned being heard here and there. Just like Morbid Angel, Incantation and Immolation makes their influences on Excommunion.

Each track stands tall on their own, none being the weak link. I could choose either one of the tracks for my favorite song, not just due to the four songs being being solid with none standing out. Rather I think they all do in their own right.

Ladies and gentlemen be taken in by this whirlwind of darkness like me, you deserve it. Thronosis is my rite into Excommunion and I am ready for them to lead the way. One of the best releases I’ve heard all year.

Facebook: http://www.facebook.com/Excommunion
Label: Dark Descent Records
For fans of: Enthroned and Morbid Angel
Favorite song: Twilight of Eschaton
Score: 4/5

Mordbrand – Wilt (Death Metal)

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Mordbrand means arson and is not only a horrible act but also one of Swedens best death metal acts that’s spawned this last decade. Having listened to their compilation album Hymns of the Rotten several times this past year I knew Wilt was something to look forward to. Why you ask? Because in this trio you got Per Boder, the vocalist who has been on the frontline to create the Swedish death metal sound with God Macabre. Joining him we got Björn Larsson (who plays for God Macabre since the resurrection in 2013) and Johan Rudberg. This trio has made some of the best death metal music these past years (their debut Imago came out in 2014) and it’s a band that I personally feel will should be up there among the greats soon if they keep this up. My only question to this release is if they can? Is Wilt as good as Imago or Hymns of the Rotten?

Short answer is yes, yes it is. I am not sure how Mordbrand does it, have they made an pact with Satan? Have they found the pick of destiny? Becuase wow I keep getting stunned by this band. Every single song is a hit to me. Every single song. It’s pure death metal which is perfectly produced and every single riff is a headbanger. The songwriting is great and heck even the album cover is freaking art. This year has been too kind to me. As a lover of death metal I’ve not only got to listen to releases from the more known acts such as Immolation, Firespawn, Evocation and Entrails but also found new bands like HerezA and now got something confirmed. Confirming that Mordbrand are here to stay, they are one of Swedens best death metal bands full stop. If you think otherwise listen to Wilt, or any other album in their already great discography.

I am basically too much in awe of this band right now that I shouldn’t even write in all honesty. I usually take an album for a few spins, cool down and then try to make a fair judgement (read my Svart Crown review for example) but this is so good I starting writing this review before I’d even give Wilt it’s first run. I mean fuck, already three tracks in I was asking myself if Bleed Into Nought, Delivering the Gods or Worship Predation was going to be choosen as my favorite track. Fact is they are all good in their own right and I could pick a song at random and still be happy with my choice.

I’ve said it before and I will say it again. Mordbrand is one of Swedens best death metal bands. It’s a beast that’s been unleashed and ready to ravage the world with death. I suggest you get Wilt now through Carnal Records.

Facebook: http://www.facebook.com/officialmordbrand
Twitter: http://www.twitter.com/MordbrandBand
Label: Carnal Records
For fans of: Evocation and Grave
Favorite song: At the Larvae Column

Shaarimoth – Temple of the Adversarial Fire (Blackened Death Metal)

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Shaarimoth were formed in 2004 with the idea of creating a sonic construct that manifests dark current through music. “This is not music, this is ritual” is the first thing I come across when looking at Shaarimoth’s facebook page. When starting to listen to the album I am inclined to agree with that statement. I feel like I am at the black metal festival Mörkaste Småland and their fourth ceremony as the ascension of the dark lord is upon us. Seems like this kind of darkness could spawn only from the dark woods of Norway.

Musically there are a lot of influences to be heard here from Behemoth and Nile due to it’s death metal ritual like music. While I also draw parallels to Dissection’s lyric contents Shaarimoth got a mix that works. Funny enough Norway aren’t really known for death metal music, however they are for their satanic black metal. This draws some of the best from both worlds creating an entity that can portray Norwegian metal in a new way. The more I listen to Temple of the Adversarial Fire the more I think back on Behemoth’s award winning album The Satanist. The dark and satanic atmosphere, production, mix of black and death metal (or blackened death metal), riffs, vocals and lyrics got a lot in common with one of the best albums to come out this decade.

Shaarimoth (just as Earth Rot did yesterday) has surprised me. This is one of my favorite albums of the year so far. I can’t find nothing wrong with it and when I tried to pick a favorite song from the album I had to literally close my eyes and pick a song at random. That’s how good it is. It’s meant to be played in full to get the whole experience as it’s meant to be, as a ritual. Even the album cover screams of darkness and it’s the perfect way to wrap this package in. To end the review here is another quote from their facebook page that I like “To rid ourselves of our shadows – who we are – we must step into either total Light..or total Darkness”. Now join us to celebrate The End times, Kali Yuga, The return of the Dragon, when the Infinite Waters have finally turned calm.

Temple of the Adversarial Fire is out now through World Terror Committee.

Facebook: http://www.facebook.com/Shaarimoth
For fans of: Behemoth and Dissection
Favorite song: Faceless Queen of Bloodstained Dreams

Enragement – Burned, Barren, Bloodstained (Brutal Death Metal)

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I usually review albums that are already out or soon to be out. However this time I got a promo from Inverse Records on a Finnish band called Enragement and their sophomore album Burned, Barren, Bloodstained which isn’t out until June 9th. When I get an album that’s not released until so far away in the future I usually wait for the release date to be closer but this time I couldn’t, the album is simply too good and I couldn’t wait! Lets start with some background on Enragement. The band was formed in 2006 by Lasse Sannikka (drums), Erkka Järvinen (guitars) and Jouni Mäkelä (vocals), Erkka left to focus on hockey, Jouni later on left to focus on his other band Reflection Dies. Left with no members, nor any album releases, Lasse rebuild Enragement and the band is now a four-piece, featuring three vocalists (!). It took just a bit more than a year for Lasse to assemble the new group together and release their debut album Omnimalevolence of Man. Now three years later they are active with Burned, Barren, Bloodstained.

I did mention Enragement consists of three vocalists. That’s the part that makes this band really stick out. Jarkko Niemi (Brymir), Atte Ojanne and Tuomas Iivanainen all got different types of growling, all from classic death metal, brutal death metal and shrieks as taken from a black metal band. And it’s not just the vocals that differs, the music overall also demonstrates a wide range of musical influences all from old school death metal to grindcore. One song can lean towards black metal (Ashen Unity), just to on the next track, As the Acid Burns, become a groovy riff-fest classic death metal type of song. What makes it all jell together in harmony is the intense heavyness and brutality that never stops. Burned, Barren, Bloodstained is an album that will go down as a hidden gem in Finnish metal scene and I hope many of you out there will notice this rare display of brutal death metal from a country that hardly dabbles in the scene. I am actually quite stunned to find such rare talent with a unique sound and never heard of them before. Being half Finnish I try to give that market an extra ear (just like with the Swedish scene) but this has simply went by me. For that I am sorry but I am now a true believe of Enragement’s quest to create the ultimate song to capture the human condition at its darkest.

Enragement now got a new fan, this is one of the best releases of the year. Burned, Barren, Bloodstained is out June 9th. I suggest you mark it down on your calendars and get it from Inverse Records for your own salvation. This is Extreme Death Metal, this is Enragement!

Facebook: http://www.facebook.com/Enragement
Twitter: http://www.twitter.com/EnragementMetal
For fans of: Beheaded and Immolation
Favorite song: Dead Flesh Treasury