The Metal Gamer Best of 2018 (J.B. Edition)

Here we are, another year is coming to an end and what a year it has been! I got married to my wonderful supporting wife, turned 30, started supporting events in my hometown to help the local scene while we had a lot of awesome games and albums released too! New for this year is that I am doing a top 50 instead of top 40, now with a top 5 in order then I split the other 45 albums into two tiers (in no order). This way you get more of a read on what I enjoyed the most instead of just a long list. Obviously this list is personal and I am sure to have missed out on an album or two during the year (some of them I mention in my “five albums I missed” section). I have linked the reviews, if there is any, on the album titles. There will also be a best of list coming from Kristian Person, my partner in crime since a couple months back driving The Metal Gamer forward. One thing worth noting is that to be eligible for this list the album needs to be a new full-length release, so no EP’s nor re-releases. So lets recap the year!

During the few years I’ve been running The Metal Gamer this has been the best year for death metal with veterans like Monstrosity, Unleashed and At the Gates as well as younger blood such as Corpsessed and Lik putting out killer releases. Technical death metal did also have a fantastic year and I even had to leave out albums from Arsis, Revocation, Psycroptic, Inferi and Alkaloid due to this year having so much great tech-death it wasn’t easy to pick. Deathcore had an off year in my opinion but at the same time I think last year was that genres best in many years. However The Breathing Process, Ingested, Within Destruction for example did release great material you shouldn’t miss. Brutal death metal may or may not have had a good year, in all honesty I haven’t listened to a lot of the albums that’s been released within that genre this year. From those I heard it was either hit or miss, with Serocs being one of the few hits. With that said, if you’re a label that specialize in brutal death metal (or in a band) then feel free to send promos my way, I would love to hear more what the genre has to offer! Just like BDM I didn’t get a chance to listen to much of the atmospheric metal side either but with class releases from the likes of Ennui, Sojourner, Raven Throne and totalselfhatred I can’t really complain there, I got my fill.

Black metal had an interesting year for me. Necrophobic showed me just why they are one of the best bands I know of, both live and with their latest release Mark of the Necrogram. Immortal surprised me with a comeback that just about missed my top five, even though I was very hesitant on the release to begin with. Behemoth was another band I was debating adding in my top five, it wasn’t as good as The Satanist (hard to do though) but even with the hate it received from some people I can’t stop playing it every now and then. On the other spectrum my biggest disappointment is Eonian by Dimmu Borgir, I just can’t get into it even after several spins… Biggest surprises for me this year were Serocs, Ennui, Sadistik Forest and 1914. 1914 just about made the list as I only found out about them a week before I wrote this (note this was written a week before being published). Without any further ado here is The Metal Gamer Best of 2018 by Jimmy Barendt!

The Metal Gamer Best of 2018

The top 5:

  1. Necrophobic – Mark of the Necrogram
  2. Rivers of Nihil – Where Owls Know My Name
  3. At the Gates – To Drink From the Night Itself
  4. Hate Eternal – Upon Desolate Sands
  5. Beyond Creation – Algorythm

Tier 2 (6-25)

Behemoth – I Loved You at Your Darkest
Lik – Carnage
Bloodbath – The Arrow of Satan is Drawn
Unleashed – The Hunt for White Christ
Funeral Mist – Hekatomb
The Breathing Process – Samsara
Immortal – Northern Chaos Gods
Amorphis – Queen of Time
Gorod – Aethra
Monstrosity – The Passage of Existence
Corpsessed – Impetus of Death
Harakiri For The Sky – Arson
Serocs – The Phobos/Deimos Suite
Sojourner – The Shadowed Road
Aborted – TerrorVision
Wombbath – The Great Desolation
1914 – The Blind Leading the Blind
Sadistik Forest – Morbid Majesties
Vanhelgd – Deimos Sanktuarium
Abysmal Torment – The Misanthrope

Tier 3 (26-50)

Stilla – Synviljor
Sargeist – Unbound
Ingested – The Level Above Human
Nekrokraft – Servants
Totalselfhatred – Solitude
Inferi – Revenant
Paara – Riitti
Deicide – Overtures of Blasphemy
Svavelvinter – Mörkrets Tid
Gluttony – Cult of the Unborn
Avslut – Deceptis
Skinless – Savagery
Ennui – End of the Circle
Raven Throne – I miortvym snicca zolak
Krisiun – Scourge of the Enthroned
Infuriate – Infuriate
Enblood – Cast to Exile
Bloodtruth – Martyrium
Watain – Trident Wolf Eclipse
Imperialist – Cipher
Skeletonwitch – Devouring Radiant Light
Within Destruction – Deathwish
Carnation – Chapel of Abhorrence
Crawl – Rituals
Wolfheart – Constellation of the Black Light

Album of the year:
Necrophobic – Mark of the Necrogram
Deathcore album of the year:
The Breathing Process – Samsara
Technical death metal album of the year:
Rivers of Nihil – Where Owls Know My Name
Death metal album of the year:
At the Gates – To Drink From the Night Itself
Brutal death metal album of the year:
Serocs – The Phobos/Deimos Suite
Atmospheric black metal album of the year:
Sojourner – The Shadowed Road
Black metal album of the year:
Immortal – Northern Chaos Gods
Debut album of the year:
Imperialist – Cipher
Song of the year:
Necrophobic – Tsar Bomba
Best concert I went to in 2018:
Necrophobic, Blood of Serpents and Coffin Creep (Plan B, Malmö, November 2nd)
Five albums I missed but need to listen to:
Sigh – Heir to Despair
Svartidaudi – Revelations Of The Red Sword
Obscura – Diluvium
Between the Buried and Me – Automata I + Automata II
Møl – Jord
Biggest disappointment:
Dimmu Borgir – Eonian
Most anticipated album of 2019:
Malevolent Creation – The 13th Beast

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Integral – Resilience (Technical Death Metal)

Artwork_definitiva_web

I’ve said it before and I will say it again. 2017 is a great year for Italian death metal, be it technical, brutal or whatever. Integral is probably not a name you know when you think of the Italian scene. Which isn’t strange since Resilience is the bands full-length debut and they were formed in 2013. That being said do not take this band lightly! When you can draw in guests like Steffen Kummerer from Obscura and Tommy Talamanca from Sadist on your debut you know this band is going to go places.

So what do they sound like? Well this is where it gets tricky! I label Integral as technical death metal but in reality they sound like a mix of a lot of different genres and bands. Vocals I think is rather close to The Black Dahlia Murder, while the instrumental play is as much The Faceless as it is Gorod, Obscura and Beyond Creation. Add some deathcore groovy breakdowns to it and you got yourself an Italian Chimera that’s ready to devour you. This is an album full of surprises. I mean even having the different influences in mind there are plenty of tempo-changes, riffs and what not that makes me go wow. There are also equally many parts that makes me go urgh I didn’t like this. A perfect example of this is the song Hieroglyphica. While it features some really awesome segments it also got leaves me wanting to almost skip the song at times, really weird roller-coaster ride for me musically. Both the bands strength and weakness to have all these mashups, I am sure they can only improve their sound in the future.

All together the ten songs Resilience offers is a good start for Integral and this album is sure to make at least one of you become a fan of their style. While I am not completely sold yet I think this is a superb debut and I am interested to see where they take their sound on the sophomore album.

Facebook: http://www.facebook.com/integralbandofficial
Label: Ghastly Music
For fans of: The Faceless and The Black Dahlia Murder
Favorite song: Realm of Atlantis
Score: 3/5