Entrapment – Imminent Violent Death (Death Metal)

It’s old school death metal time! Entrapment is the brainchild of Michel Jonker, created in 2009. During the years there has been quite a few album releases but now with Imminent Violent Death the road has come to an end as this will be the last album from Entrapment before ending it with a final live show that was held at Graveland Open Air on 11th May 2019. For those unfamiliar with Entrapment this is some of the best Dismember worshiping death metal you can get. There are many bands like this, but few who makes it justice as well as Entrapment does.

Sure on could argue that you might as well just take an old Grave, Entombed, Nihilist or Dismember album for a spin and be happy. However one can simple not have too much of that raw and filthy death metal! Even if the essentials are the same it’s always nice with some fresh songs, new killer riffs and most importantly a wicked homage to the golden years of death metal. The main thing I am not a big fan of here is Imminent Violent Death isn’t the big bang finish I had the hope for it to be. I think out of the four full-length releases Entrapment has put out their two first album “The Obscurity Within..” and “Lamentations of the Flesh” holds a higher level in terms of songwriting and replay value. Yet there is no denying that the overall level from Entrapment has been high and this is a very good death metal album that’s also slightly better than “Through Realms Unseen” with enough riffs to make your head explode from the banging it shall do. Tracks like “Mortality Unleashed” and “Sanctifying Putrescent” are pure old school death metal bangers, whereas I for example didn’t really get into “Malicious Predominance”. So a few bumps on the road here, but nothing major to put the score down as it is in the end fine craftsmanship at play. Also a quick note, the album cover by Marald van Haasteren (High on Fire, Wolfbrigade, Baroness, Victims) is killer and fits the album well.

It’s simple metalgamers, if you love old school death metal you will love this. If you don’t then this isn’t for you as it won’t win you over and you probably think the score is way too high. For us that do love old school death metal however we will revel in this entrapment that gives us a imminent violent death!

Written by J.B.

Label: Dawnbreed Records
For fans of: Grave and Dismember
Release date: May 11th, 2019
Favorite song: Sanctifying Putrescent
Score: 3.5/5 Very good

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Nocturnal Hollow – A Whisper of a Horrendous Soul (Death Metal)

You ready for some old school death metal? Of course you are, there is always time for some death in your life! This Venezuelan trio makes no secret that they are playing death metal as if it was made in the early 90’s. Seeing as two of the members in Nocturnal Hollow are also in a resurrected Baphometh line-up (who hasn’t released anything yet though) it’s safe to say my expectations on Nocturnal Hollow was big. A Whisper of a Horrendous Soul is the bands fifth full-length since the formation in 2010. The line-up has stayed intact and it seems they are only growing with each release.

Boy oh boy does A Whisper of a Horrendous Soul give me a lot of good vibes from the prime swedeath scene, the 90’s. Fans of bands like Entombed, Entrails, Revel in Flesh, Feral and Interment are going to dig into this album like a kid in a candy store (or a metalhead in the rock album section). All the meaty hooks, groove and deadly growls are here to satisfy your need for the classic death metal music you, just like me, crave. 35 minutes is just about enough too as it does tend to kinda roll by with a barrage of tracks that, while checking in all the core boxes, in the end doesn’t stick out from one another. It does get a bit tiresome near the end to be fair so a few more tracks without much variation would have lowered the score for me but they managed to make a good choice to end it where they did here.

A Whisper of a Horrendous Soul does what a lot of death metal do today, offers nothing new but captivates what made the 90’s scene so bloody awesome and that’s totally fine. Us death metal fanatics will take it for a spin, enjoy it, reminisce the good old days then probably put on an Entombed album. A great slab of metal that will get your head banging, air guitar riffing and beer flowing. If you haven’t come to like swedeath by now then Nocturnal Hollow probably won’t win you over but sometimes all you need is a well written and produced piece of metal that will make you want to go grave digging!

Written by J.B.

Label: Redefining Darkness Records/Raw Skull Recordz
For fans of: Entrails and Entombed
Release date: March 29th, 2019
Favorite song: Trapped in a Coffin
Score: 3.5/5 Very good

Of Hatred Spawn – Of Hatred Spawn (Death Metal)

Close to Christmas I got one last album to review. What better genre to review before going on a break than the one I love the most, death metal! Of Hatred Spawn were formed in 2017 by the two brothers Remy and JJ Tartaglia who later on added ex-Annihilator bass-player Oscar Rangel and Matt Collacott on vocals. Hailing from Toronto, Canada they are said to play old-school death metal in the vein of Decapitated, Suffocation and Dying Fetus. So far so good right?

The first thing that catches my eye is the cover art, a great looking fantasy painting that captures the lyrical themes of slavery, darkness and the balance of evil well. What awaits in the musical section is modern extreme metal meets the ways of old. The razer edge guitar plays fused with groove and blast beats along with the superb vocals from Collacott is nothing short but great music to my ears. As soon as the opener Global Dehumanization hits me with it’s fast paced aggression I am hooked but the 28 minute span the album offers is over too quick, I want more. I do hear a lot of grindcore death a la Dying Fetus, Aborted and Benighted influences when I listen to Of Hatred Spawn, mainly due to the way Collacott sings, which is like a blend between Frank Mullen of Suffocation, Sven “Svencho” de Caluwé of Aborted and Julien Truchan of Benighted. There is also a lot of technical death metal aspects as the drumming and riffs leans more towards newer Suffocation, Misery Index or even Hour of Penance at times than for example Obituary or Entombed.

There is really nothing negative to say about this album, it was solid throughout albeit a bit short for a full-length. Sure it isn’t anything groundbreaking that re-invents the wheel but the skill involved in this group is more than enough to win me over. Death metal fans should definitely check this out as here is something for everyone.

Label: Boonsdale Records
For fans of: Suffocation and Aborted
Release date: December 21st, 2018
Favorite song: Nocturnal Swarm
Score: 3.5/5 Very good

Crawl – Rituals (Death Metal)

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Even though the band is Swedish and plays death metal, which should be something I’d have my eye on, I’d never heard of Crawl before Transcending Obscurity Records announced them on their label. What makes it a bit weird is the fact that Crawl got members that’s been in Decomposed and Demonical, two bands I’ve followed and reviewed in the past. To be fair though they only had a demo and an EP under their belt before as the band was created in 2014. Rituals also being the bands debut full-length, so hey I have at least that to lean back on for my lack of knowledge on this band. Obviously I had to dig through their old material to get an idea what the band is all about. I: Serpents the demo was full of crushing Swe-death worship where Entombed and Dismember (as they do with many) had a lot of influences on them but at the same time they had some crust and punk elements at times. The three track demo was actually really good where the song “Casket Ride” hit me extra hard, making me wonder how I missed these death metallers before. Their EP Worship Death went even further with that sound, making the crust, punk and hardcore elements even more known so with that in mind I was now keen to hear what Rituals had in store for me.

It doesn’t take many seconds to know that Crawl has upped their game even more on Rituals. The mixing is better, really dirty but does a good job highlighting the right elements at the right time. It’s a pure adrenaline rush from the get go with only one song going above three minutes mark, honing their sound from the previous album even more towards the death-fused punk area. It’s a really good mix at that which keeps Rituals fresh and not a mere copycat from the 90’s sound. To me this is a great match made in the sewers of Sweden, filled with filthy death stench and adding more agression from the crust/punk/hardcore scene. Simply dirty and most fitting for the underground. I mean what do you need from a good death metal album? Energy? Heck yeah Rituals got that in plenty. Crushing riffs? Check on that too! Nasty lyrics? Well just take the two first tracks “Reject the Cross” and “Breathing Violence” as an example to that. Will it make you want to mosh? The pure energy and agression from the album will make this a killer live I am sure of.

While I usually would complain that 25 minutes is running quite a bit short in a full-length album I find it just about the right length for Crawl’s most crushing debut. Any more and it might have been too much of this rotten hard hitting, in your face death metal. One can only take so much in before being overwhelmed. In conclusion this is one of the best death metal albums of the year. It’s taking some of the best parts of Entombed and Dismember while putting their own touches to it, making Rituals an album that will last for a long time. They’ve evolved a lot from their 2015 demo and I am pleased to hear Swe-death can still evolve into new breeds. All nine tracks are putrid, heavy, about to knock you out metal with highlights like “Sentenced to Rot” and “Reject the Cross”. If you’re looking for Swe-death worship with that added extra brutality which will get you up on Monday mornings or get you pumped up for the weekend slaughters then Rituals is a must get for you. You’ve been sentenced to rot!

Label: Transcending Obscurity Records
For fans of: Dismember and Entombed
Release date: August 20th, 2018
Favorite song: Sentenced to Rot
Score: 4/5

Skullcrush – Visions of the Firestorm Eclipse (Death Metal)

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Old and filthy. Not only do I feel so myself but that’s the quickest way to describe Skullcrush and it’s only within the death metal genre that’s a good thing! There is no over-produced stuff in here, just pure no-bullshit crushing death metal. With a name like Skullcrush I should have imagined that would be the case though. Even the artwork on the album screams of savagery as what looks like Conan is battling a creature. Basically this is underground death metal the way it’s meant to be played.

The three tracks “Spectacle of Suffering”, “Entrails Ablaze” and “Hellwater” offers very different experiences as well. Where I first thought those three songs would be Skullcrush showing one type of move on their debut EP they instead go for showcasing a varied death metal approach. I bit surprising but at the same time really good stuff and I don’t know what I would expect from a full-length as they can go in any direction, or keep changing it up. The opener “Spectacle of Suffering” is death metal candy in the veins of Blood Incantation or Undergang, the really heavy stuff from the purest depths of the underground. “Entrails Ablaze” ups the tempo a bit, is shorter and adds a bit of an Entombed flavour to the album. Then the closer “Hellwater” is both the longest and slowest of the tracks, downtempo death with some doom elements going towards Finnish death metal acts Corpsessed and Krypts.

A really solid debut from Skullcrush. A varied album that shows a lot of promise for what is to come from the band. Underground death metal candy that I devour with ease and I am sure many underground fanatics will too.

Label: Camo Pants Records
For fans of: Blood Incantation and Corpsessed
Release date: July 6th, 2018
Favorite song: Spectacle of Suffering
Score: 3.5/5

Sadistik Forest – Morbid Majesties (Death Metal)

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Back to what I love the most, classic death metal! This time hailing from Finland and their Sadistik Forest. The band started in 2007 and has only had one lineup change since then, which was even before they put out their selftitled debut in 2010. With Markus Makkonen (ex-Hooded Menace) on bass and vocals duty they have one the Finnish undergrounds most talented members leading the charge. So before even starting listening to the band I know I am in for some quality death metal. Like I always do when I get a promo from a band I haven’t heard of before I need to dig into their discography to know what I am dealing with while also getting the sense of the evolution the band has had.

The road they’ve had is quite interesting. Their debut was a rather slow paced death metal album, almost dabbling in sludge and doom, whereas the sophomore Death, Doom, Radiation upped the speed and was heavily thrash influenced. With Morbid Majesties and the opener Morbidly Majestic you can still hear some thrash influences but it’s way more classic death metal in the veins of Cannibal Corpse and Morbid Angel with a hint of Grave. Good stuff that you’re familiar with and hits hard, a good opener to get you going. Makkonen’s vocals has improved significantly since their past albums in my opinion and it feels like he really nailing the aggressiveness this time around. Actually the whole band has evolved and the aggression, riffs with all the energy that is unleashed upon you on Morbid Majesties is in my ears a whole new beast than their previous albums. Created by Finland’s very own Demilich, Sweden’s Grave and America’s Cannibal Corpse triangle drama love child I would say. You can still hear some thrash influences on tracks like “The Hour of Dead” and sludge/doom elements from time to time but overall Morbid Majesties is more filthy death, yet cleaner in for example production (but not too clean) than before.

After the opening tracks the album does slow down a bit and have more crushing waves coming at you than constant pummelling. Both sides of the album showcasing good underground death metal that doesn’t just stick to a one trick pony. Once I am done listening through the album I feel this is a good album that will probably grow with time. There are a lot more to this album than just death metal that you eat up and spit out then go to the next act, I want to explore every inch of this album. Morbid Majesties also have the problem that I’m having a hard time selecting my favorite song. Do I want the slow beating but insanely heavy Monsters of Death that reeks of Cannibal Corpse or the moshpit opener (55 seconds in) that is Zero Progress? Doesn’t really matter as it’s candy that I want to devour and get addicted to. It’s by far their most brutal and varied offering to date which takes the band to new heights. This is the sound the band has worked on to achieve over the years and they have succeeded.

Morbid Majesties is not only Sadistik Forest best album to date, it’s one of the best albums of the year.

Label: Transcending Obscurity Records
For fans of: Demilich and Grave
Release date: May 25th, 2018
Favorite song: Monsters of Death
Score: 4.5/5

Gluttony – Cult of the Unborn (Death Metal)

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As a frequent listener to death metal, especially the Swedish kind, I obviously try to dig into anything I can find to get my fix. When it comes to Gluttony I found out about them in a weird way so I wanted to share the story. It was last years Halloween and the party I was going to had a theme, the seven deadly sins. Me wanting to be Gluttony I started doing some research and woops I found out there is a death metal band from Sweden called Gluttony! I almost bought one of their shirts just for the sake of having an easy fix on costume but in the end I got a one-piece killer clown that had a lot of mouths all over it instead… Anyways I obviously had to listen to their music and I went on the 2014 release Beyond the Veil of Flesh. I was in all honesty a bit disappointed in the album, it was ok but definitely lacked in quite a few areas to be an album I would remember. Luckily with Cult of the Unborn they manage to do just about everything better.

The core of Bergman, Henriksson and Härén from My Own Grave does a solid job and especially the drums sounds hell of a lot better on this album than on the last. The production and mix of the album is simply put just a more complete product. It’s a joy to hear these 30 minutes of classic swe-death and in all honesty Cult of the Unborn can dance with most of the classics out there that’s how good it is. Magnus Ödling (ex-Diabolical, ex-Setherial) on vocals is perfect for the sound and rounds up the band well. A very tight album and a big surprise to me that’s sure to end on my best of list when the year is coming to an end. I get a lot of similar feelings that I did with Firespawn and their 2017 release The Reprobate which was also an album that did everything so much better than their debut Shadow Realms ever did. You won’t find much better death metal than this coming out during the year I can assure you of that.

Label: Vic Records
For fans of: Entombed and Grave
Release date: April 7th, 2018
Favorite song: The Casket Master
Score: 4/5