Beyond Creation – Algorythm (Progressive Death Metal)

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When one of your favorite bands release a new album you know the hype is real. It’s a double edge sword though because when you’re that hyped and have the bar set so high as Beyond Creation the backlash if the album doesn’t live up to the high expectations will hurt a lot. I can calm you all down already by saying it lives up to the hype.

It starts off with an epic intro that could easily be in a sci-fi movie as it moves into the Entre suffrage et mirage. A good opening that ends with a great solo, so we are off to a good start but it didn’t have those transitions I want in Beyond Creation. Surface’s Echoes I think is a bit out-of-place with its intro but around one minute in I recognize the core Beyond Creation sound and it becomes a better track than the previous. I’ve always felt that for Beyond Creation to get the most out of track they need to be 6-7 minutes long, which this one is and it makes the band being able to change the tempo and sound a lot during a song, letting it unfold as its meant to. It’s one of the bands strong-points to me, how a song can feel so complete and have all these different elements to it which some bands need a whole album to do. They show a lot of this on Surface’s Echoes, even though I can’t get the first minute of the song the rest is gold. Finally with Ethereal Kingdom you get the whole experience, an intro that sets the tone nicely leading into a beautiful solo and it feels more complete. It also transition really nicely into Algorythm which together with The Inversion are my favorite songs on the album. They showcase what Beyond Creation is all about in a good way. One may say Algorythm lacks a standout track like Earthborn Revolution or Coexistence which in some ways is true but I feel with time Algorythm will be one of their most memorable tracks. It grows on me with each listen.

Algorythm as a whole is a more progressive experience than their earlier albums, for the good and bad that brings. There are some moments that’s a bit slow to me due to this change but at the same time I don’t mind this at all as a whole. It’s definitely a bit different though but with the core Beyond Creation sound of course. They haven’t gone and switched completely but you should be ready that this is a bit of a change in style from The Aura and Earthborn Evolution. All in all Algorythm won’t be my first choice of album when I look back at Beyond Creation’s discography in the future but it’s yet another solid album from a band that set the bar insanely high on the debut. Their skill is showing throughout in both songwriting and instrumental excellence. While it’s not perfect (I think Earthborn Revolution is a perfect album mind you) it’s a well executed album that’s a must have for prog/tech-death fans all around. Beyond Creation doesn’t let you down.

Written by J.B.

Label: Season of Mist
For fans of: Obscura and Augury
Release date: October 12th, 2018
Favorite song: Algorythm
Score: 4/5 Incredible

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The Metal Gamer Top 30 albums of 2018 so far!

The Metal Gamer Top 30 albums of 2018 so far!

Am I missing any albums? Do you agree?

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The bands and albums featured are:

Sadistik Forest – Mordbid Majesties
At The Gates – To Drink From the Night Itself
Amorphis – Queen of Time
Nekrokraft – Servants
Necrophobic – Mark of the Necrogram
Rivers of Nihil – Where Owls Know My Name
LIK – Carnage
Gluttony – Cult of the Unborn
Totalselfhatred – Solitude
Svederna – Svedjeland
Svavelvinter – Mörkrets Tid
Avslut – Deceptis
Skeletal Remains – Devouring Mortality
Raven Throne – I miortvym snicca zolak
Skinless – Savagery
Unflesh – Savior
Demonical – Chaos Manifesto
Immortal – Northern Chaos Gods
Gaerea – Unsettling Whispers
Depravity – Evil Upheaval
Alkaloid – Liquid Anatomy
Begat The Nephilim – I: The Surreptitious Prophecy / Mother of the Blasphemy
Kataklysm – Meditations
Ingested – The Level Above Human
Organectomy – Domain of the Wretched (went off the Unique Leader Records release)
Arkona – Khram
Watain – Trident Wolf Eclipse
Augury – Illusive Golden Age
Mordant Rapture – The Abnegation
Chelsea Grin – Eternal Nightmare

Unflesh – Savior (Technical Death Metal)

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It’s been some time since I listened to technical death metal actually, at least a couple of months when the Inferi album dropped. Don’t know why I waited so long to listen to Unflesh as “Savior” has been out since May 25th. Here we are though and I’ve finally given the album a few spins during the week. Lets start with some background on Unflesh, who are they? The band is located in USA and began as a solo project in 2014 by Ryan Beevers. The first album, an EP named “Transcendence to Eternal Obscurity”, came out in 2016 and featured Hannes Grossman (Alkaloid, ex-Obscura) on session drums. The EP got a lot of praise when it came out so this debut full-length has had some hype to it. What’s changed since the EP is that Unflesh has gone from a solo project into a fully fledged band where Ryan added Peter de Reyna on bass, Chris Dovas on drums and Chris Gardino on guitars. Has this change elevated Unflesh game to new heights?

What struck me first is that the influences are many on “Savior”. While it is at its core a tech-death album that will please fans of Arsis, Alterbeast and Revocation there are also loads of elements gathered from the melo-death and black metal genres. You can hear hints of The Black Dahlia Murder, Naglfar, Dissection and even Emperor throughout the album and that’s exactly what makes Unflesh stand out from most bands out there. It’s a pure joy to give this albums several spins and each time you notice something new, getting that feeling when you have a hard time picking your favorite song on the album as it keeps changing with each listen. It is that good. Personally there are only a handful of albums that’s better than “Savior” this year. If it hadn’t been for the insane release of Rivers of Nihil I would say this is the best tech-death you will hear this year. However when many will undoubtedly name Inferi, Alkaloid and Augury (all good releases mind you) as tech-death albums of the year I will name-drop Unflesh. A modern tech-death release with a touch of the old school, what’s not to like?

A splendid EP became an even better full-length release once Ryan got his band together. Unflesh is a band on the rise that can battle with the best of them already. The “Dissection goes tech-death” approach is one I can get behind and fall in love with. This is an album that will land high on my yearly best of list.

Label: Independent
For fans of: Dissection and Arsis
Release date: May 25th, 2018
Favorite song: Caliginous
Score: 4/5

Augury – Illusive Golden Age (Technical/Progressive Death Metal)

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As I stated in my review of Where Owls Know My Name by Rivers of Nihil one of my favorite tech-death bands is Beyond Creation, a band many sees as the forefront of progressive technical death metal. Before that band even existed we had Augury though, a band I have to say I personally haven’t listened to simply because I didn’t even know they existed. The band formed in 2002 and released their debut album Concealed in 2004 (a year before Beyond Creation were formed) with the follow-up Fragmentary Evidence coming out in 2009. Both are said to be milestones within the genre to many but since then the band has been quiet, until now.

The album opens up with the title track Illusive Golden Age and instantly I draw a lot of connections to Beyond Creation and Obscura. Which is a good thing and after hearing their older albums right before writing this review I realize Augury’s sound has stayed the same since the debut. The transitions between solos and change of pace is definitely something Augury has learned to master and throughout the album you get hit with one sweet solo after another. There is one big thing that bothers me with Augury though, the clean singing. I wish they stayed to growling all together as to me it fits a lot better to the music. Which is also a big reason why I for example like The Living Vault a lot better than Illusive Golden Age, because there they stay away from the clean singing and it just sounds hell of a lot better.

Seeing as I just reviewed Rivers of Nihil it was impossible not to have the two albums compete a bit against each other. Fact is the two bands have completely different takes on metal as Rivers of Nihils latest album brings so many influences into their music and in some ways break barriers on how tech-death should sound today. Whereas Augury does what Augury does best, a class progressive death metal album which is basically just as good as their past albums and a statement to the newer kids on the block that they are back in action. The main difference is Augury was one of the bands that were ahead of their time back when they first started and a lot of bands have them to thank for what is the core of prog-death today. It’s expected for them after such a long break to come back and give their fans what they crave for. Me being a new listener to the band I’ve learned something new about the whole prog-death scene with not just having found a great album but a whole discography to keep with me at all times.

In conclusion Illusive Golden Age is a wicked album that showcase everything Augury stands for which will surely bring back old fans and add new ones to their ranks. It’s a rebirth from a band that was once ahead of its time and is now in sync with modern prog-death that might as a matter of fact be to their advantage. My favorite tracks include The Living Vault together with the two most hard hitting, brutal tracks on the album Mater Dolorosa and Parrallel Biospheres.

Label: The Artisan Era
For fans of: Obscura and Beyond Creation
Release date: March 30th, 2018
Favorite song: Mater Dolorosa
Score: 4/5