Mordenial – The Plague (Melodic Death/Trash Metal)

13173974_1234513543227319_3804570891211965738_n

Formed in early 2000 the band has had quite the shaky start and it wasn’t until 2015 Mordenial released their debut album Where the Angels Fall. Since then the road has been clear though and The Plague is coming out just two years after the debut with the same line-up. The band has strong ties to one of my favorite old school death metal acts Paganizer as two out of three members are also active with them. With that said Mordenial does not play traditional old school death metal but instead they play a more melodic metal side fused with death and trash. Having more in common with In Flames and At the Gates than Paganizer.

The Plague is a riff friendly album. If you’re a fan of catchy solos and riffs you are sure to get your fill here. With lyrics dealing with the concept of a plague and how people justify terrible acts by pretending to be chosen by a God or Gods they touch on a subject that is very real even today. The opener The Plague doesn’t leave me breathless so to say but I get a few nods in here and there, whereas Daylight is Gone is starting to get me more into the album. It’s not until the fifth track No Empathy I really dig this though. With the slower melodic songs Save You All and especially All Has Vanished following up nicely. However the album never manages to grab my full attention. Sure there are some sweet riffs and solos here and there but it’s not enough for me to appreciate the 44 minutes Mordenial offers. Slow start, a better ending but in the end not what I had hoped for.

Facebook: http://www.facebook.com/Mordenial-524164104262270
Label: Black Lion Records
For fans of: In Flames and At the Gates
Favorite song: All Has Vanished
Score: 2/5

Advertisements

Dead Asylum – Death Always Wins (Melodic Death/Trash Metal)

a3251004676_10

Like the Gothenburg sound? Old Arch Enemy, At the Gates and the likes? What about trash metal? Dead Asylum does a great job combining these genres, the aggression from trash with the melodies of melodic death metal in a twisted symbiosis. Almost going to the Children of Bodom type of sound. The Canadian band have taken their sound a step further since their 2013 debut General Carnage and it shows. The stongwriting is better, the band have gained some more experience behind them and grown tighter as a unit.

While I am a fan of the Gothenburg sound there is a lot of music within that genre that is really average, or even crap. Dead Asylum’s debut was close to fall into that category for me as it didn’t really peak my interest. With Death Always Wins everything has gone in the right direction though, making this a much better listen for me. More trash elements than before has done Dead Asylum good. The band still lack that song that knocks me out of my chair and after a really good opener in Defiance some of the songs on the album doesn’t really keep the heat going in my opinion. Other than Defiance I enjoyed Forgotten Sacrifice with it’s sweet guitar solos that reminds me of Children of Bodom, Welcome which has that The Sorrow feel to it and Inmate 666 with it’s sheer aggression a la Bodom. Great start and great finish, it’s the road there that was a bit bumpy.

To conclude Death Always Wins is better than General Carnage, while still needing some consistency and that heavy hitter song. When it’s good it’s awesome, when it isn’t though I am almost on the verge of pressing skip song. Metalheads will find this a release that gives you a mixed bag of treats where you are sure to find some songs to add to your favorite metal playlist.

Death Always Wins is out now as an independent release.

Facebook: http://www.facebook.com/deadasylum
Twitter: http://www.twitter.com/DeadAsylummetal
Label: Independent
For fans of: Arch Enemy and Children of Bodom
Favorite song: Defiance
Score: 2.5/5

Sarcasm – Within the Sphere of Ethereal Minds (Death Metal)

a3740997770_10

For those unfamiliar (I have to confess I was) with Sarcasm their career goes all the way back to 1990 but after six demos the band disbanded in 1994. A few years ago, 2015 to be precise, the band re-merged from the shadows though with most of the members all having a past in Sarcasm from the 90’s. Sadly the sudden death of Oscar Karlsson (Defleshed, Gates of Ishtar) struck the band but they never wanted to give up, they wanted to keep on going and honour his memory. Matte Modin (Firespawn, Usurpress, ex-Dark Funeral, ex-Defleashed) took over the drums as Sarcasm were getting ready to work on Within the Sphere of Ethereal Minds. However both Fredrik Wallenberg and Henrik Forslund left the band and Sarcasm had to assemble a new line-up once again. Eventually they did and Sarcasm now consist of Anders Eriksson, Jonas Söder, Matte Modin, Peter Laitinen and Heval Bozarslan.

This stormy past has probably influenced the band a lot in creating music. Raging speed and hard as a rock death metal, that’s the first thing that comes to my mind when listening to Sarcasm’s opener Bloodsoaked Sunrise from their latest album Within the Sphere of Ethereal Minds. Sarcasm delivers a great mix of melodic death, your classic Swedish old school death and even some black metal elements in there. It’s like At the Gates, Dissection and Necrophobic joined forces. Some of the best from the Swedish metal scene that is. There is a track here for fans of any these bands as the songs do differ a bit in sound and that’s also what makes this a great album. There is variety and a sweet old school feeling to Within the Sphere of Ethereal Minds that a metalhead who loves this sound will find right at home with.

If you haven’t heard Sarcasm before now is the time! Within the Sphere of Ethereal Minds is an ode to the Swedish metal scene of old and even with all the hardship Sarcasm has suffered they’re back in form. If you only want a sample then I suggest listening to Scars of a Land Forgotten or the epic A Black Veil for Earth. Within the Sphere of Ethereal Minds is out now through Dark Descent Records.

Facebook: http://www.facebook.com/sarcasmsweden
Label: Dark Descent Records
For fans of: Necrophobic and At the Gates
Favorite song: A Black Veil for Earth

Mors Principium Est – Embers of a Dying World (Melodic Death Metal)

MU_EOADW-C_1500x1500

More melodic death metal from Finland! Now this is a band I think many of you guys have heard by now, Mors Principium Est. Formed in 1999 the band is now considered veterans in the Finnish melodeath scene. During the years the band has had its ups and downs, with numerous lineup changes and their latest release Dawn of the 5th Era was actually a bit weaker than their otherwise really great discography. That said it wasn’t bad, it just didn’t feel as great as their other albums, missing that extra piece which their first three releases had. Hence I’ve been looking forward to listen to this album (granted I am a bit late since it was out two months ago) in order to see if Mors Principium Est are on a decline or can get back in shape.

The intro Genesis is epic, feels like a trailer for a high budget action movie or something. I can see this being played right before the band go on stage and introduces themselves. It then kicks off with Reclaim the Sun, a fast melodic death metal song with orchestral and synth elements just like you remember Mors Principium Est. So here I am already telling myself MPE are back with one of their best albums to date yet it’s only two songs in. Thing is though it doesn’t get worse, instead it gets better. Masquerade’s guitar intro and midtempo plays to keep fitting in great solos here and there is a sweet headbanger. Into the Dark then quickly turn into a personal favorite of mine on the album, the solo three minutes in is top class (thanks Paul Wardingham). Adding the great lyrics with Mors Principium Est’s different classic elements makes it one of the better melodeath songs to come out this year. Death is the Beginning then features another great guest appearance where vocalist Christina Marie helps making this track an emotional melodeath ballad of high quality. This emotional journey doesn’t end there as to follow it up is The Ghost. Another really well written song full of sweet catchy riffs, synths and piano elements that are in beautiful harmony.

Mors Principium Est brings up the speed with the albums heaviest track In Torment, giving you more of that headbang friendly music. Agnus Dei works as an intermission to give the listener a breather for what is to be unleashed on the two last tracks, The Colours of the Cosmos and Apprentice of Death. Two hard hitting songs that’s a great way to end Mors Principium Est’s sixth release Embers of a Dying World. Making it yet another release I had a hard time choosing my favorite song on (I choose between Reclaim the Sun, Into the Dark, In Torment and Apprentice of Death). After listening to the album a few times I am almost ready to say this is their best work yet. Safe to say Mors Principium Est are back in great form and if you haven’t heard their epic melodic death metal with a lot of orchestral touches to it then now is the time. Here is me hoping they can finally be up there with Dark Tranquillity when people mention some of the greatest melodic death metal bands. In my opinion Mors Principium Est has always been a bit overlooked but with this release they show they are heavy hitter going for the knockout. The best melodic death metal album to come out so far this year.

Mors Principium Est’s sixth full-length Embers of a Dying World is out now through AFM Records.

Facebook: http://www.facebook.com/MPEofficial
For fans of: Dark Tranquillity and Kalmah
Favorite song: In Torment

Evocation – The Shadow Archetype (Death Metal)

Evocation-The-Shadow-Archetype

With Evocation being one of my favorite death metal bands The Shadow Archetype has been a release I’ve waited for since it was announced. The album finally got released less than a week ago (when I write this that is) and I’ve been listening to it nonstop. The Shadow Archetype is everything I wanted it to be. It’s fast and heavy Swedish death metal at it’s finest! I was afraid the lineup changes would hurt Evocation too much and that The Shadow Archetype wouldn’t be on the same level as the rest of their crazy good discography. I am so happy I was wrong though, Evocation can’t be stopped and are as great as ever!

Condemned to the Grave and Children of Stone got some of the most memorable riffs and melodies I’ve heard from Evocation. Thomas Josefsson on vocals is just as good as he has always been, definitely one of the best in the business who always perform. Simon Exner (As You Drown) on guitar has made the loss of Vesa Kenttäkumpu an easy transition as he put up a massive demonstration of skill and I am sure many fans will welcome him with open arms as him and Marko Palmén make a killer duo. Gustaf Jorde has honed his craft since the latest release Illusions of Grandeur and the ex-Defleshed bass player fits right at home with Evocation now.

Those of you who love good death metal, the Swedish style with the kickass riffs and melodies that gets stuck in your head for weeks (Amon Amarth style) then you will need this album. Best death metal release so far this year and it will be hard to dethrone Evocation as they got their eyes set for death metal album of the year award already.

Evocation’s 5th full-length release The Shadow Archetype is out now through the American giant Metal Blade Records. Go get it while it’s hot metalhead!

Facebook: http://www.facebook.com/EvocationSwe
Twitter: http://www.twitter.com/EvocationSwe
For fans of: Amon Amarth and At the Gates
Favorite song: Condemned to the Grave